This collection brings together new critical approaches to diaspora studies, branching out to areas such as literary studies, visual culture, and museum studies, and explores them in relation to a variety of fictional works, cultural traditions, theoretical paradigms, and geo-political contexts.
This collection brings together new critical approaches to diaspora studies, branching out to areas such as literary studies, visual culture, and museum studies, and explores them in relation to a variety of fictional works, cultural traditions, theoretical paradigms, and geo-political contexts.
Sarah Ilott is a Senior Lecturer in English and Film at Manchester Metropolitan University. Ana Cristina Mendes is an Assistant Professor in English Studies at the University of Lisbon. Lucinda Newns is a Lecturer in Postcolonial and World Literatures at Queen Mary University of London.
Inhaltsangabe
Preface John McLeod / Introduction Sarah Ilott Ana Cristina Mendes & Lucinda Newns / Part I: Performing Diaspora / 1. Performing Street Art: CityLeaks Affiliation and Transcultural Diaspora Cathy Covell Waegner / 2. The Pitfalls and Potentials of Transcultural Performance in Diasporic Contexts: Spectating Otherness at Home and Abroad Miki Flockemann / Part II: Speculative Diasporas / 3. Speculative Migrations: Hari Kunzru's Historical Consciousness the Rhetoric of Interplanetary Colonization and the Locus-Colonial Novel Rachel Rochester / 4. Mythology of the Space Frontier: Diaspora Liminality and the Practices of Remembrance in Nalo Hopkinson's Midnight Robber Agnieszka Podruczna / Part III: Diaspora City Spaces / 5. Diasporic Ways of Knowing: Teju Cole's Open City Christiane Steckenbiller / 6. Affecting the City: Flânerie in Doris Lessing's Writings Ágnes Györke / Part IV: Affective and Violent Diasporas / 7. Everyday Emotions and Migration: Using Affect to Understand Contemporary Diasporic Fiction Sibyl Adam / 8. Forms of Diaspora and British New Slaveries in Chris Cleave's The Other Hand and Caryl Phillips's In the Falling Snow Pietro Deandrea / Part V: Challenging Dominant Narratives of Diaspora: Silence and Voice / 9. Gendered Silence in Transnational Narratives Karen D'Souza / 10. Reading Between Languages: Polyphony in M G Vassanji's Writing Asma Sayed
Preface John McLeod / Introduction Sarah Ilott Ana Cristina Mendes & Lucinda Newns / Part I: Performing Diaspora / 1. Performing Street Art: CityLeaks Affiliation and Transcultural Diaspora Cathy Covell Waegner / 2. The Pitfalls and Potentials of Transcultural Performance in Diasporic Contexts: Spectating Otherness at Home and Abroad Miki Flockemann / Part II: Speculative Diasporas / 3. Speculative Migrations: Hari Kunzru's Historical Consciousness the Rhetoric of Interplanetary Colonization and the Locus-Colonial Novel Rachel Rochester / 4. Mythology of the Space Frontier: Diaspora Liminality and the Practices of Remembrance in Nalo Hopkinson's Midnight Robber Agnieszka Podruczna / Part III: Diaspora City Spaces / 5. Diasporic Ways of Knowing: Teju Cole's Open City Christiane Steckenbiller / 6. Affecting the City: Flânerie in Doris Lessing's Writings Ágnes Györke / Part IV: Affective and Violent Diasporas / 7. Everyday Emotions and Migration: Using Affect to Understand Contemporary Diasporic Fiction Sibyl Adam / 8. Forms of Diaspora and British New Slaveries in Chris Cleave's The Other Hand and Caryl Phillips's In the Falling Snow Pietro Deandrea / Part V: Challenging Dominant Narratives of Diaspora: Silence and Voice / 9. Gendered Silence in Transnational Narratives Karen D'Souza / 10. Reading Between Languages: Polyphony in M G Vassanji's Writing Asma Sayed
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