New Forms: The Avant-Garde Meets the American Scene, 1934-1949 - Doss, Erika; Edwards, Kathleen A.; Kerrigan, Emily A.
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In this fascinating exhibition catalogue, the authors discuss how 1930s and 1940s American modernism was a diverse blend of styles, artists and points of views. Addressing a core of the University of Iowa Museum of Art collection, from Jackson Pollock's 1943 Mural and other gifts from collector Peggy Guggenheim, to works by Grant Wood, the essays provide a broad cultural overview of the terms and motivations of American Modernism.

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Produktbeschreibung
In this fascinating exhibition catalogue, the authors discuss how 1930s and 1940s American modernism was a diverse blend of styles, artists and points of views. Addressing a core of the University of Iowa Museum of Art collection, from Jackson Pollock's 1943 Mural and other gifts from collector Peggy Guggenheim, to works by Grant Wood, the essays provide a broad cultural overview of the terms and motivations of American Modernism.
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Autorenporträt
Erika Doss, art historian and head of the department of American Studies at Notre Dame University, is the author of "Benton, Pollock, and the Politics of Modernism" and "Memorial Mania: Public Feeling in America," among other books, chapters, articles and essays. Kathleen A. Edwards is chief curator of the University of Iowa Museum of Art and former director of The Print Center in Philadelphia. She has curated over 75 exhibitions including "Lil Picard and Counterculture New York" and "Acting Out: Melodrama and Contemporary Photography." University of Iowa School of Art and Art History Professor Joni L. Kinsey is the author of the award winning books "Thomas Moran s West: Chromolithography, High Art, and Popular Taste" and "Plain Pictures: Images of the American Prairie." With Edwards, Kinsey is co-curator of the "New Forms" exhibition."