Since 1945 the emphasis in new music has lain in a desire for progress, a concept challenged by postmodernist aesthetics.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Contents: Introductions Part One Modernity: Critical Theory and Aesthetic Modernity: Modernity Dialectic of Enlightenment and the Culture Industry Truth as Negation: Negative Dialectics and Aesthetic Theory Second Generation Critical Theory Alienated Music: Beethoven to Schoenberg: The Beethoven Critique and Nineteenth-Century Music Dialectic of Modernity: Schoenberg and Stravinsky Part Two High Modernism and After: Construction and Indeterminacy: Boulez and Cage High Modernism Boulez's Third Piano Sonata Cage Modernism Inside Out Music and Deconstruction Illusion and Space: Ligeti Part III Consequences of Modernism: Separate Ways A Dialectical Circus on Roaratorio The Persistence of Modernism: Rèpons Discourses of Modernity Aesthetics Reclaimed Postmodernism Engaging Tradition Wolfgang Rihm In Search of Subjectivity Bibliography Name and title Index Subject Index.
Contents: Introductions Part One Modernity: Critical Theory and Aesthetic Modernity: Modernity Dialectic of Enlightenment and the Culture Industry Truth as Negation: Negative Dialectics and Aesthetic Theory Second Generation Critical Theory Alienated Music: Beethoven to Schoenberg: The Beethoven Critique and Nineteenth-Century Music Dialectic of Modernity: Schoenberg and Stravinsky Part Two High Modernism and After: Construction and Indeterminacy: Boulez and Cage High Modernism Boulez's Third Piano Sonata Cage Modernism Inside Out Music and Deconstruction Illusion and Space: Ligeti Part III Consequences of Modernism: Separate Ways A Dialectical Circus on Roaratorio The Persistence of Modernism: Rèpons Discourses of Modernity Aesthetics Reclaimed Postmodernism Engaging Tradition Wolfgang Rihm In Search of Subjectivity Bibliography Name and title Index Subject Index.
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