Arguing that new music in this era reflects a historical moment when the idea of materiality itself is in flux, the book focuses on how recent music and sound art have expressed notions of the body and the material environment.
Arguing that new music in this era reflects a historical moment when the idea of materiality itself is in flux, the book focuses on how recent music and sound art have expressed notions of the body and the material environment.
Samuel Wilson's research focuses on music and twentieth- and twenty-first-century modernity. He lectures in music aesthetics at Guildhall School of Music and Drama and interdisciplinary theory at London Contemporary Dance School. He is the editor of Music--Psychoanalysis--Musicology (Routledge, 2018).
Inhaltsangabe
Introduction: New Musical Materialisms Part 1: Musical Bodies Chapter 1: The (Dis)possession of the Musical Body Chapter 2: The Composition of Posthuman Bodies Part 2: Musical Objects Chapter 3: Orientations and the Piano-Object Chapter 4: Contemporary Composition and/as Plastic Art Part 3: Musical Materials Chapter 5: On the "Material" of Musical Material Chapter 6: Natures and Ecologies of Composition
Introduction: New Musical Materialisms Part 1: Musical Bodies Chapter 1: The (Dis)possession of the Musical Body Chapter 2: The Composition of Posthuman Bodies Part 2: Musical Objects Chapter 3: Orientations and the Piano-Object Chapter 4: Contemporary Composition and/as Plastic Art Part 3: Musical Materials Chapter 5: On the "Material" of Musical Material Chapter 6: Natures and Ecologies of Composition
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