Contemporary music makes almost universal use of materials formerly considered unusable. These materials are in some degree acceptable to almost all music-lovers, and there is a tendency on the part of critics and the sophisticated public to be somewhat bored by new music which uses only old-fashioned means.
Contemporary music makes almost universal use of materials formerly considered unusable. These materials are in some degree acceptable to almost all music-lovers, and there is a tendency on the part of critics and the sophisticated public to be somewhat bored by new music which uses only old-fashioned means.
Part I. Tone Combinations: 1. The influence of overtones in music 2. Polyharmony 3. Tone-quality 4. Dissonant counterpoint Part II. Rhythm: 1. Time 2. Metre 3. Dynamics 4. Form 5. Metre and time combinations 6. Tempo 7. Scales of rhythm Part III. Chord Formation: 1. Building chords from different intervals 2. Tone-clusters Notes on the text David Nicholls Henry Cowell's New Musical Resources David Nicholls.
Part I. Tone Combinations: 1. The influence of overtones in music 2. Polyharmony 3. Tone-quality 4. Dissonant counterpoint Part II. Rhythm: 1. Time 2. Metre 3. Dynamics 4. Form 5. Metre and time combinations 6. Tempo 7. Scales of rhythm Part III. Chord Formation: 1. Building chords from different intervals 2. Tone-clusters Notes on the text David Nicholls Henry Cowell's New Musical Resources David Nicholls.
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