New Perspectives on Early Cinema History
Concepts, Approaches, Audiences
Herausgeber: Slugan, Mario; Biltereyst, Daniël
New Perspectives on Early Cinema History
Concepts, Approaches, Audiences
Herausgeber: Slugan, Mario; Biltereyst, Daniël
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Provides a theoretical reconceptualization of the paradigms of early cinema, highlighting the latest methods in studying the period.
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Provides a theoretical reconceptualization of the paradigms of early cinema, highlighting the latest methods in studying the period.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 304
- Erscheinungstermin: 22. Februar 2024
- Englisch
- Abmessung: 233mm x 157mm x 20mm
- Gewicht: 526g
- ISBN-13: 9781350451452
- ISBN-10: 1350451452
- Artikelnr.: 69670972
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 304
- Erscheinungstermin: 22. Februar 2024
- Englisch
- Abmessung: 233mm x 157mm x 20mm
- Gewicht: 526g
- ISBN-13: 9781350451452
- ISBN-10: 1350451452
- Artikelnr.: 69670972
Mario Slugan is Lecturer in Film Studies, Queen Mary University of London, UK. He is the author of Montage as Perceptual Experience (2017), Noël Carroll on Film (Bloomsbury, 2018) and Fiction and Imagination in Early Cinema (Bloomsbury, 2019). He is also the editor of the open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe and book review editor for Early Popular Visual Culture. Daniël Biltereyst is Professor in Film and Media Studies at Ghent University, Belgium. He is editor of Mapping Movie Magazines (2020) and co-editor of The Routledge Companion to New Cinema Audiences (2019), Moralizing Cinema (2015), Silencing Cinema (2013), Cinema, Audiences and Modernity (2012) and Explorations in New Cinema History (2011).
List of figures List of contributors Acknowledgements Introduction: New
perspectives on early cinema - Mario Slugan and Daniël Biltereyst PART ONE:
CONCEPTS AND THEORIES 1. Animated pictures according to Georges Méliès: A
sober and unpretentious remediation, or when Méliès took a stand against .
the cinema! - André Gaudreault 2. Attraction/narration/illustration: A
third paradigm for early cinema - Valentine Robert 3. 'The very act itself,
even to the smack': Early cinema, presence and experience - Gert Jan
Harkema 4. Lost love on a hot summer day: The absorptive experience of the
first film show in Denmark - Casper Tybjerg PART TWO: APPROACHES, METHODS
AND SOURCES 5. Revisiting the fiction/non-fiction distinction: Early cinema
and the philosophy of imagination - Mario Slugan 6. Using Mediathread for
gesture analysis in the cinema of attractions - Danae Kleida 7. Librettos
as source material for film history: The case of early Russian cinema -
Anna Kovalova PART THREE AUDIENCES AND EXPERIENCES 8. Narrative cinema as a
separate attraction: Archie L. Shepard's newspaper publicity - Paul S.
Moore 9. Mapping Black moviegoing in Harlem, New York City, 1909-14 -
Agata Frymus 10. Attraction, narration, performance: A historical-pragmatic
perspective on early cinema - Frank Kessler and Sabine Lenk 11. The other
panicking audience: A New Cinema History approach to early cinemagoing,
cinema fires, disasters and panics - Daniël Biltereyst Bibliography Index
perspectives on early cinema - Mario Slugan and Daniël Biltereyst PART ONE:
CONCEPTS AND THEORIES 1. Animated pictures according to Georges Méliès: A
sober and unpretentious remediation, or when Méliès took a stand against .
the cinema! - André Gaudreault 2. Attraction/narration/illustration: A
third paradigm for early cinema - Valentine Robert 3. 'The very act itself,
even to the smack': Early cinema, presence and experience - Gert Jan
Harkema 4. Lost love on a hot summer day: The absorptive experience of the
first film show in Denmark - Casper Tybjerg PART TWO: APPROACHES, METHODS
AND SOURCES 5. Revisiting the fiction/non-fiction distinction: Early cinema
and the philosophy of imagination - Mario Slugan 6. Using Mediathread for
gesture analysis in the cinema of attractions - Danae Kleida 7. Librettos
as source material for film history: The case of early Russian cinema -
Anna Kovalova PART THREE AUDIENCES AND EXPERIENCES 8. Narrative cinema as a
separate attraction: Archie L. Shepard's newspaper publicity - Paul S.
Moore 9. Mapping Black moviegoing in Harlem, New York City, 1909-14 -
Agata Frymus 10. Attraction, narration, performance: A historical-pragmatic
perspective on early cinema - Frank Kessler and Sabine Lenk 11. The other
panicking audience: A New Cinema History approach to early cinemagoing,
cinema fires, disasters and panics - Daniël Biltereyst Bibliography Index
List of figures List of contributors Acknowledgements Introduction: New
perspectives on early cinema - Mario Slugan and Daniël Biltereyst PART ONE:
CONCEPTS AND THEORIES 1. Animated pictures according to Georges Méliès: A
sober and unpretentious remediation, or when Méliès took a stand against .
the cinema! - André Gaudreault 2. Attraction/narration/illustration: A
third paradigm for early cinema - Valentine Robert 3. 'The very act itself,
even to the smack': Early cinema, presence and experience - Gert Jan
Harkema 4. Lost love on a hot summer day: The absorptive experience of the
first film show in Denmark - Casper Tybjerg PART TWO: APPROACHES, METHODS
AND SOURCES 5. Revisiting the fiction/non-fiction distinction: Early cinema
and the philosophy of imagination - Mario Slugan 6. Using Mediathread for
gesture analysis in the cinema of attractions - Danae Kleida 7. Librettos
as source material for film history: The case of early Russian cinema -
Anna Kovalova PART THREE AUDIENCES AND EXPERIENCES 8. Narrative cinema as a
separate attraction: Archie L. Shepard's newspaper publicity - Paul S.
Moore 9. Mapping Black moviegoing in Harlem, New York City, 1909-14 -
Agata Frymus 10. Attraction, narration, performance: A historical-pragmatic
perspective on early cinema - Frank Kessler and Sabine Lenk 11. The other
panicking audience: A New Cinema History approach to early cinemagoing,
cinema fires, disasters and panics - Daniël Biltereyst Bibliography Index
perspectives on early cinema - Mario Slugan and Daniël Biltereyst PART ONE:
CONCEPTS AND THEORIES 1. Animated pictures according to Georges Méliès: A
sober and unpretentious remediation, or when Méliès took a stand against .
the cinema! - André Gaudreault 2. Attraction/narration/illustration: A
third paradigm for early cinema - Valentine Robert 3. 'The very act itself,
even to the smack': Early cinema, presence and experience - Gert Jan
Harkema 4. Lost love on a hot summer day: The absorptive experience of the
first film show in Denmark - Casper Tybjerg PART TWO: APPROACHES, METHODS
AND SOURCES 5. Revisiting the fiction/non-fiction distinction: Early cinema
and the philosophy of imagination - Mario Slugan 6. Using Mediathread for
gesture analysis in the cinema of attractions - Danae Kleida 7. Librettos
as source material for film history: The case of early Russian cinema -
Anna Kovalova PART THREE AUDIENCES AND EXPERIENCES 8. Narrative cinema as a
separate attraction: Archie L. Shepard's newspaper publicity - Paul S.
Moore 9. Mapping Black moviegoing in Harlem, New York City, 1909-14 -
Agata Frymus 10. Attraction, narration, performance: A historical-pragmatic
perspective on early cinema - Frank Kessler and Sabine Lenk 11. The other
panicking audience: A New Cinema History approach to early cinemagoing,
cinema fires, disasters and panics - Daniël Biltereyst Bibliography Index