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Provides a theoretical reconceptualization of the paradigms of early cinema, highlighting the latest methods in studying the period.

Produktbeschreibung
Provides a theoretical reconceptualization of the paradigms of early cinema, highlighting the latest methods in studying the period.
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Autorenporträt
Mario Slugan is Lecturer in Film Studies, Queen Mary University of London, UK. He is the author of Montage as Perceptual Experience (2017), Noël Carroll on Film (Bloomsbury, 2018) and Fiction and Imagination in Early Cinema (Bloomsbury, 2019). He is also the editor of the open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe and book review editor for Early Popular Visual Culture. Daniël Biltereyst is Professor in Film and Media Studies at Ghent University, Belgium. He is editor of Mapping Movie Magazines (2020) and co-editor of The Routledge Companion to New Cinema Audiences (2019), Moralizing Cinema (2015), Silencing Cinema (2013), Cinema, Audiences and Modernity (2012) and Explorations in New Cinema History (2011).