New Perspectives on Handel's Music
Essays in Honour of Donald Burrows
Herausgeber: Vickers, David
New Perspectives on Handel's Music
Essays in Honour of Donald Burrows
Herausgeber: Vickers, David
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.
An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer Ltd
- Seitenzahl: 476
- Erscheinungstermin: 11. Oktober 2022
- Englisch
- Abmessung: 236mm x 163mm x 30mm
- Gewicht: 1166g
- ISBN-13: 9781783271467
- ISBN-10: 1783271469
- Artikelnr.: 59987038
- Verlag: Boydell & Brewer Ltd
- Seitenzahl: 476
- Erscheinungstermin: 11. Oktober 2022
- Englisch
- Abmessung: 236mm x 163mm x 30mm
- Gewicht: 1166g
- ISBN-13: 9781783271467
- ISBN-10: 1783271469
- Artikelnr.: 59987038
David Vickers
Ouverture David Vickers Act I. Handel's Music and Creative Practices 1
'Almire regiere': Some Reflections on the First Aria in Handel's First
Opera David Kimbell 2 Il pastor fido by Guarini (1585) and Handel (1712):
From tragicommedia pastorale to dramma per musica Suzana Ograjenek 3 Late
or Soon? Cadential Timing in the Continuo Recitatives of Handel and his
Contemporaries John H. Roberts 4 Handel's Bilingual Versions of Esther and
Deborah, 1734-1737 David Vickers 5 Handel's Compositional Process in the
Creation of the Grand Concertos, Op. 6 Silas Wollston 6 The London
Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della
Verità (1737) and The Triumph of Time and Truth (1757) Matthew Gardner Act
II. Sources, Documents and Attributions 7 Handel's Continuo Cantatas:
Problems of Authenticity, Classification and Chronology Andrew V. Jones 8
When and Why Did Handel Replace his Conducting Scores? Hans Dieter Clausen
9 Handel, the Duke of Chandos and Investing in the Royal African Company
David Hunter 10 Handel and Comus at Exton Colin Timms 11 Wordbooks for
Handel's Oratorios, Especially Joseph and his Brethren and Hercules:
Copyright and Production Leslie M.M. Robarts 12 New Music by Handel for
Horns? ¿Anthony Hicks (rev. Colin Timms) Act III. Context and Reception 13
Bach and Handel: Differences within a Common Culture of Musical Invention
John Butt 14 Le rivale regine: Faustina and Cuzzoni in Satirical
Engravings, Literature and Opera in the 1720s and 1730s Richard G. King 15
Charles Jennens Revisited Ruth Smith 16 'O Come, Let us Sing unto the
Lord': Performances of the Cannons Anthems during Handel's Lifetime
Graydon Beeks 17 Charity Performances of Handel's Works in
Eighteenth-Century Dublin (1736-1760) Tríona O'Hanlon 18 Early Keepers of
the Flame: Vanneschi (and Handel) at the Opera Michael Burden 19 Revamped
Handel: The Content and Context of his So-Called 'Miserere' H. Diack
Johnstone 20 Handel's 'celebrated Largo': Remarks on the Reception History
of 'Ombra mai fu' Annette Landgraf The Works of Donald Burrows Index of
Handel's Works General Index Tabula Gratulatoria
'Almire regiere': Some Reflections on the First Aria in Handel's First
Opera David Kimbell 2 Il pastor fido by Guarini (1585) and Handel (1712):
From tragicommedia pastorale to dramma per musica Suzana Ograjenek 3 Late
or Soon? Cadential Timing in the Continuo Recitatives of Handel and his
Contemporaries John H. Roberts 4 Handel's Bilingual Versions of Esther and
Deborah, 1734-1737 David Vickers 5 Handel's Compositional Process in the
Creation of the Grand Concertos, Op. 6 Silas Wollston 6 The London
Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della
Verità (1737) and The Triumph of Time and Truth (1757) Matthew Gardner Act
II. Sources, Documents and Attributions 7 Handel's Continuo Cantatas:
Problems of Authenticity, Classification and Chronology Andrew V. Jones 8
When and Why Did Handel Replace his Conducting Scores? Hans Dieter Clausen
9 Handel, the Duke of Chandos and Investing in the Royal African Company
David Hunter 10 Handel and Comus at Exton Colin Timms 11 Wordbooks for
Handel's Oratorios, Especially Joseph and his Brethren and Hercules:
Copyright and Production Leslie M.M. Robarts 12 New Music by Handel for
Horns? ¿Anthony Hicks (rev. Colin Timms) Act III. Context and Reception 13
Bach and Handel: Differences within a Common Culture of Musical Invention
John Butt 14 Le rivale regine: Faustina and Cuzzoni in Satirical
Engravings, Literature and Opera in the 1720s and 1730s Richard G. King 15
Charles Jennens Revisited Ruth Smith 16 'O Come, Let us Sing unto the
Lord': Performances of the Cannons Anthems during Handel's Lifetime
Graydon Beeks 17 Charity Performances of Handel's Works in
Eighteenth-Century Dublin (1736-1760) Tríona O'Hanlon 18 Early Keepers of
the Flame: Vanneschi (and Handel) at the Opera Michael Burden 19 Revamped
Handel: The Content and Context of his So-Called 'Miserere' H. Diack
Johnstone 20 Handel's 'celebrated Largo': Remarks on the Reception History
of 'Ombra mai fu' Annette Landgraf The Works of Donald Burrows Index of
Handel's Works General Index Tabula Gratulatoria
Ouverture David Vickers Act I. Handel's Music and Creative Practices 1
'Almire regiere': Some Reflections on the First Aria in Handel's First
Opera David Kimbell 2 Il pastor fido by Guarini (1585) and Handel (1712):
From tragicommedia pastorale to dramma per musica Suzana Ograjenek 3 Late
or Soon? Cadential Timing in the Continuo Recitatives of Handel and his
Contemporaries John H. Roberts 4 Handel's Bilingual Versions of Esther and
Deborah, 1734-1737 David Vickers 5 Handel's Compositional Process in the
Creation of the Grand Concertos, Op. 6 Silas Wollston 6 The London
Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della
Verità (1737) and The Triumph of Time and Truth (1757) Matthew Gardner Act
II. Sources, Documents and Attributions 7 Handel's Continuo Cantatas:
Problems of Authenticity, Classification and Chronology Andrew V. Jones 8
When and Why Did Handel Replace his Conducting Scores? Hans Dieter Clausen
9 Handel, the Duke of Chandos and Investing in the Royal African Company
David Hunter 10 Handel and Comus at Exton Colin Timms 11 Wordbooks for
Handel's Oratorios, Especially Joseph and his Brethren and Hercules:
Copyright and Production Leslie M.M. Robarts 12 New Music by Handel for
Horns? ¿Anthony Hicks (rev. Colin Timms) Act III. Context and Reception 13
Bach and Handel: Differences within a Common Culture of Musical Invention
John Butt 14 Le rivale regine: Faustina and Cuzzoni in Satirical
Engravings, Literature and Opera in the 1720s and 1730s Richard G. King 15
Charles Jennens Revisited Ruth Smith 16 'O Come, Let us Sing unto the
Lord': Performances of the Cannons Anthems during Handel's Lifetime
Graydon Beeks 17 Charity Performances of Handel's Works in
Eighteenth-Century Dublin (1736-1760) Tríona O'Hanlon 18 Early Keepers of
the Flame: Vanneschi (and Handel) at the Opera Michael Burden 19 Revamped
Handel: The Content and Context of his So-Called 'Miserere' H. Diack
Johnstone 20 Handel's 'celebrated Largo': Remarks on the Reception History
of 'Ombra mai fu' Annette Landgraf The Works of Donald Burrows Index of
Handel's Works General Index Tabula Gratulatoria
'Almire regiere': Some Reflections on the First Aria in Handel's First
Opera David Kimbell 2 Il pastor fido by Guarini (1585) and Handel (1712):
From tragicommedia pastorale to dramma per musica Suzana Ograjenek 3 Late
or Soon? Cadential Timing in the Continuo Recitatives of Handel and his
Contemporaries John H. Roberts 4 Handel's Bilingual Versions of Esther and
Deborah, 1734-1737 David Vickers 5 Handel's Compositional Process in the
Creation of the Grand Concertos, Op. 6 Silas Wollston 6 The London
Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della
Verità (1737) and The Triumph of Time and Truth (1757) Matthew Gardner Act
II. Sources, Documents and Attributions 7 Handel's Continuo Cantatas:
Problems of Authenticity, Classification and Chronology Andrew V. Jones 8
When and Why Did Handel Replace his Conducting Scores? Hans Dieter Clausen
9 Handel, the Duke of Chandos and Investing in the Royal African Company
David Hunter 10 Handel and Comus at Exton Colin Timms 11 Wordbooks for
Handel's Oratorios, Especially Joseph and his Brethren and Hercules:
Copyright and Production Leslie M.M. Robarts 12 New Music by Handel for
Horns? ¿Anthony Hicks (rev. Colin Timms) Act III. Context and Reception 13
Bach and Handel: Differences within a Common Culture of Musical Invention
John Butt 14 Le rivale regine: Faustina and Cuzzoni in Satirical
Engravings, Literature and Opera in the 1720s and 1730s Richard G. King 15
Charles Jennens Revisited Ruth Smith 16 'O Come, Let us Sing unto the
Lord': Performances of the Cannons Anthems during Handel's Lifetime
Graydon Beeks 17 Charity Performances of Handel's Works in
Eighteenth-Century Dublin (1736-1760) Tríona O'Hanlon 18 Early Keepers of
the Flame: Vanneschi (and Handel) at the Opera Michael Burden 19 Revamped
Handel: The Content and Context of his So-Called 'Miserere' H. Diack
Johnstone 20 Handel's 'celebrated Largo': Remarks on the Reception History
of 'Ombra mai fu' Annette Landgraf The Works of Donald Burrows Index of
Handel's Works General Index Tabula Gratulatoria