B. Ruby Rich has been involved with queer filmmakingâ as a critic, film-festival curator, publicist, scholar, and championâ since it emerged in the 1980s. This volume collects the best of her writing on New Queer Cinema from its beginning to the present.
B. Ruby Rich has been involved with queer filmmakingâ as a critic, film-festival curator, publicist, scholar, and championâ since it emerged in the 1980s. This volume collects the best of her writing on New Queer Cinema from its beginning to the present.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments xi Introduction xv Part I. Origins, Festivals, Audiences 1. Before the Beginning: Lineages and Preconceptions 3 2. The New Queer Cinema: Director's Cut 16 3. Collision, Catastrophe, Celebration: The Relationship between Gay and Lesbian Film Festivals and Their Publics 33 4. What's a Good Gay Film? 40 Part II. Bulletins From the Front 5. The King of Queer: Derek Jarman 49 6. True Stories of Forbidden Love 53 7. Goings and Comings, the Go Fish Way 58 8. Historical Fictions, Modern Desires: The Watermelon Woman 66 9. Channeling Domestic Violence: In the Den with Todd Haynes and Christine Vachon 72 10. The I.K.U. Experience: The Shu-Lea Cheang Phenomenon 76 11. Jonathan Caouette: What in Tarnation? 81 12. Apichatpong Weerasethakul's Tropical Maladies 88 13. Beyond Doom: Gregg Araki's Mysterious Films 92 14. A Walk in the Clouds: Julián Hernández 96 Part III. Genre Meets Gender 15. Lethal Lesbians: The Cinematic Inscription of Murderous Desire 103 16. Queering the Biopic Documentary 123 17. A Queer and Present Danger: The Death of New Queer Cinema? 130 Part IV. Queering a New Latin American Cinema 18. Preface to a History 141 19. Refashioning Mexican Screen Sexuality: Ripstein, Hermosillo, Leduc 145 20. Gay and Lesbian Traces 151 21. Mexico in the Forties: Reclaiming a Gender Pioneer 156 22. Revolution, Sexuality, and the Paradox of Queer Film in Cuba 159 23. Queering the Social Landscape 167 Part V. Expansions and Reversals 24. Ang Lee's Lonesome Cowboys 185 25. Itty Bitty Titty Committee: Free Radicals and the Feminist Carnivalesque 202 26. Queer Nouveau: From Morality Tales to Mortality Tales in Ozon, Téchiné, Collard 214 27. Got Milk? Gus Van Sant's Encounter with History 236 Conclusion 261 Filmography 285 Bibliography 297 Credits 307 Index 309
Acknowledgments xi Introduction xv Part I. Origins, Festivals, Audiences 1. Before the Beginning: Lineages and Preconceptions 3 2. The New Queer Cinema: Director's Cut 16 3. Collision, Catastrophe, Celebration: The Relationship between Gay and Lesbian Film Festivals and Their Publics 33 4. What's a Good Gay Film? 40 Part II. Bulletins From the Front 5. The King of Queer: Derek Jarman 49 6. True Stories of Forbidden Love 53 7. Goings and Comings, the Go Fish Way 58 8. Historical Fictions, Modern Desires: The Watermelon Woman 66 9. Channeling Domestic Violence: In the Den with Todd Haynes and Christine Vachon 72 10. The I.K.U. Experience: The Shu-Lea Cheang Phenomenon 76 11. Jonathan Caouette: What in Tarnation? 81 12. Apichatpong Weerasethakul's Tropical Maladies 88 13. Beyond Doom: Gregg Araki's Mysterious Films 92 14. A Walk in the Clouds: Julián Hernández 96 Part III. Genre Meets Gender 15. Lethal Lesbians: The Cinematic Inscription of Murderous Desire 103 16. Queering the Biopic Documentary 123 17. A Queer and Present Danger: The Death of New Queer Cinema? 130 Part IV. Queering a New Latin American Cinema 18. Preface to a History 141 19. Refashioning Mexican Screen Sexuality: Ripstein, Hermosillo, Leduc 145 20. Gay and Lesbian Traces 151 21. Mexico in the Forties: Reclaiming a Gender Pioneer 156 22. Revolution, Sexuality, and the Paradox of Queer Film in Cuba 159 23. Queering the Social Landscape 167 Part V. Expansions and Reversals 24. Ang Lee's Lonesome Cowboys 185 25. Itty Bitty Titty Committee: Free Radicals and the Feminist Carnivalesque 202 26. Queer Nouveau: From Morality Tales to Mortality Tales in Ozon, Téchiné, Collard 214 27. Got Milk? Gus Van Sant's Encounter with History 236 Conclusion 261 Filmography 285 Bibliography 297 Credits 307 Index 309
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