1. Emma Lyon, the 'attitude', and Goethean performance theory Volker Schachenmayr; 2. Disputing the canon of American dramatic 'literature' Ronald Tavel; 3. Good nights out: activating the audience with 7.84 (England) Nadine Holdsworth; 4. Myths and enabling fictions of 'origin' in the editing of Shakespeare Gabriel Egan; 5. Shakespeare, feminism, and voice: responses to Sarah Werner Cicely Berry, Patsy Rodenberg and Kristin Linklater; 6. Behind the arras, through the wall: Wadja's Hamlet in Krakow, 1989 Tony Howard; 7. Bernard-Marie Koltès: chronology, contexts, connections David Bradby; NTQ book reviews.
1. Emma Lyon, the 'attitude', and Goethean performance theory Volker Schachenmayr; 2. Disputing the canon of American dramatic 'literature' Ronald Tavel; 3. Good nights out: activating the audience with 7.84 (England) Nadine Holdsworth; 4. Myths and enabling fictions of 'origin' in the editing of Shakespeare Gabriel Egan; 5. Shakespeare, feminism, and voice: responses to Sarah Werner Cicely Berry, Patsy Rodenberg and Kristin Linklater; 6. Behind the arras, through the wall: Wadja's Hamlet in Krakow, 1989 Tony Howard; 7. Bernard-Marie Koltès: chronology, contexts, connections David Bradby; NTQ book reviews.
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