Recent years have seen a rennaissance of scholarly interest in the fin-de-siecle fiction of the New Woman. "New Woman Strategies" offers a new approach to the subject by focusing on the discursive strategies and revisionist aesthetics of the genre in the writings of three of its key exponents: Sarah Grand (1854-1943), Olive Schreiner (1855-1920) and Mona Caird (1854-1932). The study explores how each writer drew on, mimicked, feminized and ultimately transformed traditional literary and cultural tropes and paradigms: feminity, allegory and mythology.
Recent years have seen a rennaissance of scholarly interest in the fin-de-siecle fiction of the New Woman. "New Woman Strategies" offers a new approach to the subject by focusing on the discursive strategies and revisionist aesthetics of the genre in the writings of three of its key exponents: Sarah Grand (1854-1943), Olive Schreiner (1855-1920) and Mona Caird (1854-1932). The study explores how each writer drew on, mimicked, feminized and ultimately transformed traditional literary and cultural tropes and paradigms: feminity, allegory and mythology.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ann Heilmann is Senior Lecturer in English at the University of Wales Swansea
Inhaltsangabe
Acknowledgements Abbreviations List of Illustrations Introduction: The Mothers of (Feminist) Art PART 1: FEMININITIES: SARAH GRAND (1854-1943) Chapter 1 Playing with voices/Speaking in Tongues: Journalism and Early Novels Chapter 2 Narrative Cross-Dressing: Ideala (1888) and The Heavenly Twins (1893) Chapter 3 New Woman Jouissances: Subversive Spirits and the Girl Artist in The Beth Book (1897) PART 2: ALLEGORIES: OLIVE SCHREINER (1855-1920) Chapter 4 Transitions and Transfigurations: Dreams (1890), The Story of an African Farm (1883), and From Man to Man (1926) PART 3: MYTHOLOGIES: MONA CAIRD (1854-1932) Chapter 5: Re-visioning Myths: The Morality of Marriage (1897), The Pathway of the Gods (1898), and The Stones of Sacrifice (1915) Chapter 6: Re/Membrance: Mythical Mothers and Art/ists in One That Wins (1887) and The Daughters of Danaus (1894) Sorties: New Woman, New Myths? Notes
Acknowledgements Abbreviations List of Illustrations Introduction: The Mothers of (Feminist) Art PART 1: FEMININITIES: SARAH GRAND (1854-1943) Chapter 1 Playing with voices/Speaking in Tongues: Journalism and Early Novels Chapter 2 Narrative Cross-Dressing: Ideala (1888) and The Heavenly Twins (1893) Chapter 3 New Woman Jouissances: Subversive Spirits and the Girl Artist in The Beth Book (1897) PART 2: ALLEGORIES: OLIVE SCHREINER (1855-1920) Chapter 4 Transitions and Transfigurations: Dreams (1890), The Story of an African Farm (1883), and From Man to Man (1926) PART 3: MYTHOLOGIES: MONA CAIRD (1854-1932) Chapter 5: Re-visioning Myths: The Morality of Marriage (1897), The Pathway of the Gods (1898), and The Stones of Sacrifice (1915) Chapter 6: Re/Membrance: Mythical Mothers and Art/ists in One That Wins (1887) and The Daughters of Danaus (1894) Sorties: New Woman, New Myths? Notes
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