Next Level Screenwriting is an intermediate screenwriting book, for those that have already learned the basics of screenwriting, written a screenplay or two and want to bring their writing and stories to the next level. Each chapter of the book examines a specific aspect of screenwriting, such as character, dialogue and theme, and then provides the reader with ideas, tips and inspiration to apply to their own writing. Rather than being another "how to" book, this volume features a variety of case studies and challenging exercises throughout - derived from a broad selection of successful…mehr
Next Level Screenwriting is an intermediate screenwriting book, for those that have already learned the basics of screenwriting, written a screenplay or two and want to bring their writing and stories to the next level. Each chapter of the book examines a specific aspect of screenwriting, such as character, dialogue and theme, and then provides the reader with ideas, tips and inspiration to apply to their own writing. Rather than being another "how to" book, this volume features a variety of case studies and challenging exercises throughout - derived from a broad selection of successful feature films and TV shows from the 1940s to the present day - to help spark the imagination of the writer as they work through different styles and approaches of screenwriting. An absolute must-read for any screenwriter wanting to improve their writing and storytelling skills.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Graduado de Harvard College y exeditor del diario Harvard Crimson, David Landau escribió y editó varios libros sobre temas cubanos. Ricardo Bofill, quien estableció el movimiento cubano pro derechos humanos, elogió a Landau por su "dedicación, minuciosa y rigurosa, al estudio de la nación y de la sociedad cubana".
Inhaltsangabe
Introduction Chapter 1: Don't be afraid of Genre - keeping your promise to your viewer * Enjoying the Genre * Crossing Genres * A Final Note Chapter 2: The Write Approach - Finding how to approach telling your story and the point of attach * Motivated Style * The Internal Approach * Maintaining an Established Style * Style that fits the Genre Chapter 3: Character depth - Thinking about more layered characters and their motivations * Character Motivation * the Character Mask * Humor as Character * the Other Character Change * Television Characters Chapter 4: Dialogue that does more than further the plot * A Distinct Voice * Attitude Dialogue * Period Dialogue * Dialogue that Reveals Character * Poetic dialog * Contemporary Dialogue * When Talk is Action Chapter 5: Poetic Description - Writing your settings can be as creative as writing your story * Choosing Your Words * Describing for the Mind's Eye * Writing for the Reader * Humorously Said Chapter 6: Finding the Theme - Discovering what your writing is all about * Popular Movies have Themes * Shared Themes of Westerns & Horror * We have met the Enemy and they are us * The Stronger the Theme the Stronger the Story * Even Comedy has a Theme * The Naked Theme Chapter 7; First Person Narrative Screenwriting - Writing voice over narration and found footage stories * Narration that isn't a Crutch * Hardboiled Wit Narration * Found Footage as First Person * Mockumentary) Chapter 8: Dealing with Multiple Protagonist Syndrome or Navigating the ensemble screenplay * Ensemble vs Episodic * Linking Stories * Playing with Time * Ensemble Characters * Reoccurring Locations * The Ensemble Anchor * Ensemble in the Park * The Trouble with Ensemble Chapter 9: Based on True Events & Research - Writing the core of the truth without being boring * Adapting History * Free yourself from the Truth * Find a Special Event in History * Find a Special Place in History * Research that Works for You * This All Applies to Television Chapter 10: Set-up, Pay-off and the Twist - Writing in things that go around and came around * Twilight Zone Set-up/Pay-off * Twist Ending Set-up/Pay-off * Character Character Character * Twists in TV * Comedy Set-up/Pay-off * The Aristotle Connection Chapter 11: Writing for a Budget - Writing screenplays under budget constraints * Micro-budget Feature * Independent Low Budget * Hollywood low budget * Limited budget TV Chapter 12: Rewriting: The Pain and the Gain * Working in backstory * Development Rewrite * Production Rewrite * Post Production Rewrite * A Note on Taking Notes * Three Tricks to Note Taking Chapter 13: Wrote the Script, Now What? * Copyright * Feedback * Contests * Producers and Agents * They Call it Hollywood * Make it Yourself * Low Budget Independents * How and How Much * Show Me the Money - in the Movies * Show Me the Money - in Television * Don't Undo Your Sale Index
Introduction Chapter 1: Don't be afraid of Genre - keeping your promise to your viewer * Enjoying the Genre * Crossing Genres * A Final Note Chapter 2: The Write Approach - Finding how to approach telling your story and the point of attach * Motivated Style * The Internal Approach * Maintaining an Established Style * Style that fits the Genre Chapter 3: Character depth - Thinking about more layered characters and their motivations * Character Motivation * the Character Mask * Humor as Character * the Other Character Change * Television Characters Chapter 4: Dialogue that does more than further the plot * A Distinct Voice * Attitude Dialogue * Period Dialogue * Dialogue that Reveals Character * Poetic dialog * Contemporary Dialogue * When Talk is Action Chapter 5: Poetic Description - Writing your settings can be as creative as writing your story * Choosing Your Words * Describing for the Mind's Eye * Writing for the Reader * Humorously Said Chapter 6: Finding the Theme - Discovering what your writing is all about * Popular Movies have Themes * Shared Themes of Westerns & Horror * We have met the Enemy and they are us * The Stronger the Theme the Stronger the Story * Even Comedy has a Theme * The Naked Theme Chapter 7; First Person Narrative Screenwriting - Writing voice over narration and found footage stories * Narration that isn't a Crutch * Hardboiled Wit Narration * Found Footage as First Person * Mockumentary) Chapter 8: Dealing with Multiple Protagonist Syndrome or Navigating the ensemble screenplay * Ensemble vs Episodic * Linking Stories * Playing with Time * Ensemble Characters * Reoccurring Locations * The Ensemble Anchor * Ensemble in the Park * The Trouble with Ensemble Chapter 9: Based on True Events & Research - Writing the core of the truth without being boring * Adapting History * Free yourself from the Truth * Find a Special Event in History * Find a Special Place in History * Research that Works for You * This All Applies to Television Chapter 10: Set-up, Pay-off and the Twist - Writing in things that go around and came around * Twilight Zone Set-up/Pay-off * Twist Ending Set-up/Pay-off * Character Character Character * Twists in TV * Comedy Set-up/Pay-off * The Aristotle Connection Chapter 11: Writing for a Budget - Writing screenplays under budget constraints * Micro-budget Feature * Independent Low Budget * Hollywood low budget * Limited budget TV Chapter 12: Rewriting: The Pain and the Gain * Working in backstory * Development Rewrite * Production Rewrite * Post Production Rewrite * A Note on Taking Notes * Three Tricks to Note Taking Chapter 13: Wrote the Script, Now What? * Copyright * Feedback * Contests * Producers and Agents * They Call it Hollywood * Make it Yourself * Low Budget Independents * How and How Much * Show Me the Money - in the Movies * Show Me the Money - in Television * Don't Undo Your Sale Index
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