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Argues that Nietzsche's idea of the Übermensch was a central concern of filmmakers in the 1920s and 1930s.

Produktbeschreibung
Argues that Nietzsche's idea of the Übermensch was a central concern of filmmakers in the 1920s and 1930s.
Autorenporträt
Matthew Rukgaber is Lecturer in Philosophy at Eastern Connecticut State University.