Nietzsche had a particular interest in the relationship between art and life, and in art's contribution to his philosophical aims--to identify the conditions of the affirmation of life, cultural renewal, and exemplary human living. These new essays demonstrate that understanding his engagement with art is essential for understanding his philosophy.
Nietzsche had a particular interest in the relationship between art and life, and in art's contribution to his philosophical aims--to identify the conditions of the affirmation of life, cultural renewal, and exemplary human living. These new essays demonstrate that understanding his engagement with art is essential for understanding his philosophy.
Daniel Came is Lecturer in Philosophy at the University of Hull. He received his B.A. and M.Phil. degrees in Philosophy from the University of Cambridge and his D.Phil. in Philosophy from the University of Oxford. He has held a Junior Research Fellowship in Philosophy at Worcester College, Oxford and a College Lectureship in Philosophy at St Hugh's College, Oxford. His main research interests are in ethics and the history of ethics (especially within the post-Kantian German tradition).
Inhaltsangabe
* Introduction * 1: Bernard Reginster: Art and Affirmation * 2: Christopher Janaway: Beauty is False, Truth Ugly: Nietzsche on Art and Life * 3: Christopher C. Raymond: Nietzsche on Tragedy and Morality * 4: Ken Gemes and Chris Sykes: Nietzsche's Illusion * 5: Stephen Mulhall: Orchestral Metaphysics: The Birth of Tragedy between Drama, Opera and Philosophy * 6: Daniel Came: Nietzsche on Ethics and Aesthetics * 7: Adrian Del Caro: Zarathustra vs. Faust, or Anti-Romantic Rivalry among Superhumans * 8: A. E. Denham: Attuned, Transcendent, and Transfigured: Nietzsche's Appropriation of Schopenhauer's Aesthetic Psychology * 9: Sabina Lovibond: Nietzsche on Distance, Beauty and Truth * 10: Aaron Ridley: Nietzsche and Music * 11: Roger Scruton: Nietzsche on Wagner
* Introduction * 1: Bernard Reginster: Art and Affirmation * 2: Christopher Janaway: Beauty is False, Truth Ugly: Nietzsche on Art and Life * 3: Christopher C. Raymond: Nietzsche on Tragedy and Morality * 4: Ken Gemes and Chris Sykes: Nietzsche's Illusion * 5: Stephen Mulhall: Orchestral Metaphysics: The Birth of Tragedy between Drama, Opera and Philosophy * 6: Daniel Came: Nietzsche on Ethics and Aesthetics * 7: Adrian Del Caro: Zarathustra vs. Faust, or Anti-Romantic Rivalry among Superhumans * 8: A. E. Denham: Attuned, Transcendent, and Transfigured: Nietzsche's Appropriation of Schopenhauer's Aesthetic Psychology * 9: Sabina Lovibond: Nietzsche on Distance, Beauty and Truth * 10: Aaron Ridley: Nietzsche and Music * 11: Roger Scruton: Nietzsche on Wagner
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