Places Nietzsche's thought in conversation with the Africana tradition to explore the role of aesthetics in decolonial world-making.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michael Stern is Associate Professor in the Department of German and Scandinavian at the University of Oregon, USA, and is affiliated with Philosophy, Comparative Literature, and the Humanities Program. He is the author of Nietzsche's Ocean, Strindberg's Open Sea and "Alluvia: The Palimpsest of African Memory," which appeared Philosophy as World Literature (Bloomsbury, 2020).
Inhaltsangabe
Part 1: The Poetics of Worlding 1. Forms and Rhythms 2. Rhythm, Repetition, Morality: der Mensch classifies Muntu Part 2: Reworlding the Unworlded 3. The Poetics of Unworlding: The Experience of an Unworlded World 4. Conclusion: Moving Towards a Poetics of Reworlding-Old Wood, Driftwood, Fire; Names drawn from Water Bibliography Index
Part 1: The Poetics of Worlding 1. Forms and Rhythms 2. Rhythm, Repetition, Morality: der Mensch classifies Muntu Part 2: Reworlding the Unworlded 3. The Poetics of Unworlding: The Experience of an Unworlded World 4. Conclusion: Moving Towards a Poetics of Reworlding-Old Wood, Driftwood, Fire; Names drawn from Water Bibliography Index
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