This is the first comprehensive treatment of Nietzsche's philosophy of art to appear in English. Julian Young argues that Nietzsche's thought about art can only be understood in the context of his wider philosophy. In particular he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence and the idea of the Ubermensch. This is a clear and lucid account, combining exegesis, interpretation and criticism in a judicious balance.
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