Nineteenth-Century British Music Studies
Volume 3
Herausgeber: Horton, Peter; Zon, Bennett
Nineteenth-Century British Music Studies
Volume 3
Herausgeber: Horton, Peter; Zon, Bennett
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Originally published in 2003 and selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic.
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Originally published in 2003 and selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 334
- Erscheinungstermin: 7. Dezember 2020
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 467g
- ISBN-13: 9780367145842
- ISBN-10: 0367145847
- Artikelnr.: 60004990
- Verlag: Routledge
- Seitenzahl: 334
- Erscheinungstermin: 7. Dezember 2020
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 467g
- ISBN-13: 9780367145842
- ISBN-10: 0367145847
- Artikelnr.: 60004990
Peter Horton, Bennett Zon
Part 1: Issues of Gender. 1. 'Leader of Fasion in Musical Thought': the
Importance of Rosa Newmarch in the Context of Turn-of-the-Century British
Music Appreciation, Charlotte Purkis. 2. Hym(n)ing: Music and Masculinity
in the Early Victorian Church, Grant Olwage. 3. The Construction of a
Cultural Icon: the Case of Jenny Lind, George Biddlecombe. Part 2: Church
Music. 4. 'Hark an Awful Voice is Sounding': Redefining the English
Catholic Hymn Repertory: The Westminster Hymnal of 1912, Thomas Muir. 5.
Ancient and Modern in the Work of Sir John Stainer, Nicholas Temperley. 6.
'The Highest Point up to that Time Reached by the Comvination of Hebrew and
Christian Sentiment in Music', Peter Horton. Part 3: National Identity. 7.
English National Identity and the Comic Operas of Gilbert and Sullivan,
Derek B. Scott. 8. 'Unfurl the Flag and Federate': Flags as a
Representation of Patriotism and Nationalism in Australian Federation
Songs, 1880-1906, Peter Campbell. 9. Singing the Songs of Scotland: the
German Musician Johann Rupprecht Durrner and Musical Life in
Nineteenth-Century Edinburgh, Barbara Eichner. Part 4: National and Local
Institutions. 10. Another String to his Bow: the Composer Conducts, Duncan
James Barker. 11. Vincent Novello and the Philharmonic Society of London,
Fiona M. Palmer. 12. The Oxford Commemorations and Nineteenth-Century
British Festival Culture, Susan Wollenberg. 13. In Search of a Nation's
Music: the Role of the Society of Arts and the Royal Academy of Music in
the Establishment of the Royal College of Music in 1883, G. W. E.
Brightwell. 14. The Family von Glehn, Valerie Langfield.
Importance of Rosa Newmarch in the Context of Turn-of-the-Century British
Music Appreciation, Charlotte Purkis. 2. Hym(n)ing: Music and Masculinity
in the Early Victorian Church, Grant Olwage. 3. The Construction of a
Cultural Icon: the Case of Jenny Lind, George Biddlecombe. Part 2: Church
Music. 4. 'Hark an Awful Voice is Sounding': Redefining the English
Catholic Hymn Repertory: The Westminster Hymnal of 1912, Thomas Muir. 5.
Ancient and Modern in the Work of Sir John Stainer, Nicholas Temperley. 6.
'The Highest Point up to that Time Reached by the Comvination of Hebrew and
Christian Sentiment in Music', Peter Horton. Part 3: National Identity. 7.
English National Identity and the Comic Operas of Gilbert and Sullivan,
Derek B. Scott. 8. 'Unfurl the Flag and Federate': Flags as a
Representation of Patriotism and Nationalism in Australian Federation
Songs, 1880-1906, Peter Campbell. 9. Singing the Songs of Scotland: the
German Musician Johann Rupprecht Durrner and Musical Life in
Nineteenth-Century Edinburgh, Barbara Eichner. Part 4: National and Local
Institutions. 10. Another String to his Bow: the Composer Conducts, Duncan
James Barker. 11. Vincent Novello and the Philharmonic Society of London,
Fiona M. Palmer. 12. The Oxford Commemorations and Nineteenth-Century
British Festival Culture, Susan Wollenberg. 13. In Search of a Nation's
Music: the Role of the Society of Arts and the Royal Academy of Music in
the Establishment of the Royal College of Music in 1883, G. W. E.
Brightwell. 14. The Family von Glehn, Valerie Langfield.
Part 1: Issues of Gender. 1. 'Leader of Fasion in Musical Thought': the
Importance of Rosa Newmarch in the Context of Turn-of-the-Century British
Music Appreciation, Charlotte Purkis. 2. Hym(n)ing: Music and Masculinity
in the Early Victorian Church, Grant Olwage. 3. The Construction of a
Cultural Icon: the Case of Jenny Lind, George Biddlecombe. Part 2: Church
Music. 4. 'Hark an Awful Voice is Sounding': Redefining the English
Catholic Hymn Repertory: The Westminster Hymnal of 1912, Thomas Muir. 5.
Ancient and Modern in the Work of Sir John Stainer, Nicholas Temperley. 6.
'The Highest Point up to that Time Reached by the Comvination of Hebrew and
Christian Sentiment in Music', Peter Horton. Part 3: National Identity. 7.
English National Identity and the Comic Operas of Gilbert and Sullivan,
Derek B. Scott. 8. 'Unfurl the Flag and Federate': Flags as a
Representation of Patriotism and Nationalism in Australian Federation
Songs, 1880-1906, Peter Campbell. 9. Singing the Songs of Scotland: the
German Musician Johann Rupprecht Durrner and Musical Life in
Nineteenth-Century Edinburgh, Barbara Eichner. Part 4: National and Local
Institutions. 10. Another String to his Bow: the Composer Conducts, Duncan
James Barker. 11. Vincent Novello and the Philharmonic Society of London,
Fiona M. Palmer. 12. The Oxford Commemorations and Nineteenth-Century
British Festival Culture, Susan Wollenberg. 13. In Search of a Nation's
Music: the Role of the Society of Arts and the Royal Academy of Music in
the Establishment of the Royal College of Music in 1883, G. W. E.
Brightwell. 14. The Family von Glehn, Valerie Langfield.
Importance of Rosa Newmarch in the Context of Turn-of-the-Century British
Music Appreciation, Charlotte Purkis. 2. Hym(n)ing: Music and Masculinity
in the Early Victorian Church, Grant Olwage. 3. The Construction of a
Cultural Icon: the Case of Jenny Lind, George Biddlecombe. Part 2: Church
Music. 4. 'Hark an Awful Voice is Sounding': Redefining the English
Catholic Hymn Repertory: The Westminster Hymnal of 1912, Thomas Muir. 5.
Ancient and Modern in the Work of Sir John Stainer, Nicholas Temperley. 6.
'The Highest Point up to that Time Reached by the Comvination of Hebrew and
Christian Sentiment in Music', Peter Horton. Part 3: National Identity. 7.
English National Identity and the Comic Operas of Gilbert and Sullivan,
Derek B. Scott. 8. 'Unfurl the Flag and Federate': Flags as a
Representation of Patriotism and Nationalism in Australian Federation
Songs, 1880-1906, Peter Campbell. 9. Singing the Songs of Scotland: the
German Musician Johann Rupprecht Durrner and Musical Life in
Nineteenth-Century Edinburgh, Barbara Eichner. Part 4: National and Local
Institutions. 10. Another String to his Bow: the Composer Conducts, Duncan
James Barker. 11. Vincent Novello and the Philharmonic Society of London,
Fiona M. Palmer. 12. The Oxford Commemorations and Nineteenth-Century
British Festival Culture, Susan Wollenberg. 13. In Search of a Nation's
Music: the Role of the Society of Arts and the Royal Academy of Music in
the Establishment of the Royal College of Music in 1883, G. W. E.
Brightwell. 14. The Family von Glehn, Valerie Langfield.