Explores the diverse forces that shaped developments in literature in the 1880s, an often overlooked literary decade.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction. 'Knowledge made for cutting' Penny Fielding and Andrew Taylor; 1. Mermaids amongst the cables: the abstracted body and the telegraphic touch in the nineteenth century Clare Pettitt; 2. Enclosing forms, opening spaces: the 1880s fixed-verse revival Linda K. Hughes; 3. 'The Newest Culte': Victorian poetry and the literary societies of the 1880s Angela Dunstan; 4. The time of W. E. Henley: 'minor poetry' and the 1880s Penny Fielding; 5. The evolution of point of view Cannon Schmitt; 6. Network, history, method: Andrew Lang in and after the 1880s Nathan K. Hensley; 7. Animated conversations: form, transformation, and the category of the novel in the 1880s Barbara Leckie; 8. Henry James, vulgarity, and the contexts of transatlantic moderation Andrew Taylor; 9. He and She: the 1880s, camp aesthetics and the literary magazine Sara Lodge; 10. Men, women and horses: public spectacle in 1887 John Stokes; 11. The secular turn in British literature of the 1880s William Greenslade; Index.
Introduction. 'Knowledge made for cutting' Penny Fielding and Andrew Taylor; 1. Mermaids amongst the cables: the abstracted body and the telegraphic touch in the nineteenth century Clare Pettitt; 2. Enclosing forms, opening spaces: the 1880s fixed-verse revival Linda K. Hughes; 3. 'The Newest Culte': Victorian poetry and the literary societies of the 1880s Angela Dunstan; 4. The time of W. E. Henley: 'minor poetry' and the 1880s Penny Fielding; 5. The evolution of point of view Cannon Schmitt; 6. Network, history, method: Andrew Lang in and after the 1880s Nathan K. Hensley; 7. Animated conversations: form, transformation, and the category of the novel in the 1880s Barbara Leckie; 8. Henry James, vulgarity, and the contexts of transatlantic moderation Andrew Taylor; 9. He and She: the 1880s, camp aesthetics and the literary magazine Sara Lodge; 10. Men, women and horses: public spectacle in 1887 John Stokes; 11. The secular turn in British literature of the 1880s William Greenslade; Index.
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