Nineteenth-Century Literature in Transition
The 1880s
Herausgeber: Fielding, Penny; Taylor, Andrew
Nineteenth-Century Literature in Transition
The 1880s
Herausgeber: Fielding, Penny; Taylor, Andrew
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Explores the diverse forces that shaped developments in literature in the 1880s, an often overlooked literary decade.
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Explores the diverse forces that shaped developments in literature in the 1880s, an often overlooked literary decade.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 262
- Erscheinungstermin: 17. Oktober 2019
- Englisch
- Abmessung: 235mm x 157mm x 19mm
- Gewicht: 537g
- ISBN-13: 9781107181908
- ISBN-10: 1107181909
- Artikelnr.: 57016784
- Verlag: Cambridge University Press
- Seitenzahl: 262
- Erscheinungstermin: 17. Oktober 2019
- Englisch
- Abmessung: 235mm x 157mm x 19mm
- Gewicht: 537g
- ISBN-13: 9781107181908
- ISBN-10: 1107181909
- Artikelnr.: 57016784
Introduction. 'Knowledge made for cutting' Penny Fielding and Andrew
Taylor; 1. Mermaids amongst the cables: the abstracted body and the
telegraphic touch in the nineteenth century Clare Pettitt; 2. Enclosing
forms, opening spaces: the 1880s fixed-verse revival Linda K. Hughes; 3.
'The Newest Culte': Victorian poetry and the literary societies of the
1880s Angela Dunstan; 4. The time of W. E. Henley: 'minor poetry' and the
1880s Penny Fielding; 5. The evolution of point of view Cannon Schmitt; 6.
Network, history, method: Andrew Lang in and after the 1880s Nathan K.
Hensley; 7. Animated conversations: form, transformation, and the category
of the novel in the 1880s Barbara Leckie; 8. Henry James, vulgarity, and
the contexts of transatlantic moderation Andrew Taylor; 9. He and She: the
1880s, camp aesthetics and the literary magazine Sara Lodge; 10. Men, women
and horses: public spectacle in 1887 John Stokes; 11. The secular turn in
British literature of the 1880s William Greenslade; Index.
Taylor; 1. Mermaids amongst the cables: the abstracted body and the
telegraphic touch in the nineteenth century Clare Pettitt; 2. Enclosing
forms, opening spaces: the 1880s fixed-verse revival Linda K. Hughes; 3.
'The Newest Culte': Victorian poetry and the literary societies of the
1880s Angela Dunstan; 4. The time of W. E. Henley: 'minor poetry' and the
1880s Penny Fielding; 5. The evolution of point of view Cannon Schmitt; 6.
Network, history, method: Andrew Lang in and after the 1880s Nathan K.
Hensley; 7. Animated conversations: form, transformation, and the category
of the novel in the 1880s Barbara Leckie; 8. Henry James, vulgarity, and
the contexts of transatlantic moderation Andrew Taylor; 9. He and She: the
1880s, camp aesthetics and the literary magazine Sara Lodge; 10. Men, women
and horses: public spectacle in 1887 John Stokes; 11. The secular turn in
British literature of the 1880s William Greenslade; Index.
Introduction. 'Knowledge made for cutting' Penny Fielding and Andrew
Taylor; 1. Mermaids amongst the cables: the abstracted body and the
telegraphic touch in the nineteenth century Clare Pettitt; 2. Enclosing
forms, opening spaces: the 1880s fixed-verse revival Linda K. Hughes; 3.
'The Newest Culte': Victorian poetry and the literary societies of the
1880s Angela Dunstan; 4. The time of W. E. Henley: 'minor poetry' and the
1880s Penny Fielding; 5. The evolution of point of view Cannon Schmitt; 6.
Network, history, method: Andrew Lang in and after the 1880s Nathan K.
Hensley; 7. Animated conversations: form, transformation, and the category
of the novel in the 1880s Barbara Leckie; 8. Henry James, vulgarity, and
the contexts of transatlantic moderation Andrew Taylor; 9. He and She: the
1880s, camp aesthetics and the literary magazine Sara Lodge; 10. Men, women
and horses: public spectacle in 1887 John Stokes; 11. The secular turn in
British literature of the 1880s William Greenslade; Index.
Taylor; 1. Mermaids amongst the cables: the abstracted body and the
telegraphic touch in the nineteenth century Clare Pettitt; 2. Enclosing
forms, opening spaces: the 1880s fixed-verse revival Linda K. Hughes; 3.
'The Newest Culte': Victorian poetry and the literary societies of the
1880s Angela Dunstan; 4. The time of W. E. Henley: 'minor poetry' and the
1880s Penny Fielding; 5. The evolution of point of view Cannon Schmitt; 6.
Network, history, method: Andrew Lang in and after the 1880s Nathan K.
Hensley; 7. Animated conversations: form, transformation, and the category
of the novel in the 1880s Barbara Leckie; 8. Henry James, vulgarity, and
the contexts of transatlantic moderation Andrew Taylor; 9. He and She: the
1880s, camp aesthetics and the literary magazine Sara Lodge; 10. Men, women
and horses: public spectacle in 1887 John Stokes; 11. The secular turn in
British literature of the 1880s William Greenslade; Index.