Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
1. Introduction: the laboratory and the stage David Trippett and Benjamin Walton; Part I. Voices: 2. Pneumotypes: Jean de Reszke's high pianissimos and the occult sciences of breathing James Q. Davies; 3. Vocal culture in the age of laryngoscopy Benjamin Steege; 4. Operatic fantasies in early nineteenth-century psychiatry Carmel Raz; 5. Opera and hypnosis: Victor Maurel's experiments in suggestion with Verdi's Otello Céline Frigau Manning; Part II. Ears: 6. Hearing space in the music of Hector Berlioz Julia Kursell; 7. From distant sounds to Aeolian ears: Ernst Kapp's auditory prosthesis David Trippett; 8. Wagner, hearing loss, and the urban soundscape of late nineteenth-century Germany James Deaville; Part III. Technologies: 9. Science, technology and love in late eighteenth-century opera Deirdre Loughridge; 10. Technological phantoms of the opéra Benjamin Walton; 11. Circuit listening Ellen Lockhart; Part IV. Bodies: 12. Excelsior as mass ornament: the reproduction of gesture Gavin Williams; 13. Automata, physiology and opera Myles Jackson; 14. Wagnerian manipulation: Bayreuth and the sciences of the mind James Kennaway; 15. Unsound seeds Alexander Rehding.
1. Introduction: the laboratory and the stage David Trippett and Benjamin Walton; Part I. Voices: 2. Pneumotypes: Jean de Reszke's high pianissimos and the occult sciences of breathing James Q. Davies; 3. Vocal culture in the age of laryngoscopy Benjamin Steege; 4. Operatic fantasies in early nineteenth-century psychiatry Carmel Raz; 5. Opera and hypnosis: Victor Maurel's experiments in suggestion with Verdi's Otello Céline Frigau Manning; Part II. Ears: 6. Hearing space in the music of Hector Berlioz Julia Kursell; 7. From distant sounds to Aeolian ears: Ernst Kapp's auditory prosthesis David Trippett; 8. Wagner, hearing loss, and the urban soundscape of late nineteenth-century Germany James Deaville; Part III. Technologies: 9. Science, technology and love in late eighteenth-century opera Deirdre Loughridge; 10. Technological phantoms of the opéra Benjamin Walton; 11. Circuit listening Ellen Lockhart; Part IV. Bodies: 12. Excelsior as mass ornament: the reproduction of gesture Gavin Williams; 13. Automata, physiology and opera Myles Jackson; 14. Wagnerian manipulation: Bayreuth and the sciences of the mind James Kennaway; 15. Unsound seeds Alexander Rehding.
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