This collection of essays by biblical scholars is the first book-length treatment of the 2014 film Noah, directed by Darren Aronofsky. It will be of considerable interest to scholars conducting research in the areas of religion and film, contemporary hermeneutics, reception history, religion and popular culture, feminist criticism, and ecological ethics.
This collection of essays by biblical scholars is the first book-length treatment of the 2014 film Noah, directed by Darren Aronofsky. It will be of considerable interest to scholars conducting research in the areas of religion and film, contemporary hermeneutics, reception history, religion and popular culture, feminist criticism, and ecological ethics.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Rhonda Burnette-Bletsch is Professor of Biblical Studies at Eastern University and the film editor for the projected 30-volume Encyclopedia of the Bible and Its Reception (De Gruyter 2010-present). She is the editor of Bible in Motion (De Gruyter 2016), a two-volume handbook on the Bible's reception in film, and the author of many articles and chapters on the Bible in film. She is also the author of Studying the Old Testament (Abingdon, 2007). Jon Morgan is Lecturer of Biblical Interpretation at the University of Chester and Honorary Research Fellow at the University of Manchester and the University of Exeter. He is the author of several articles and chapters including "Examining the Entrails: Reading Religion in and through Exodus: Gods and Kings" (Biblical Reception forthcoming) and "Visitors, Gatekeepers and Receptionists: Reflections on the Shape of Biblical Studies and the Role of Reception History" (in Reception History and Biblical Studies: Theory and Practice, T&T Clark/Bloomsbury, 2015).
Inhaltsangabe
Introduction Rhonda Burnette-Bletsch and Jon Morgan 1. Seeing is Believing: Spectacle and Revelation in Aronofsky's Noah David J. Shepherd 2. Noah as a Biblical Blockbuster Laura Copier 3. Noah as an Aronofsky Epic Richard Walsh 4. Hearing God: Noah, Aronofsky's Noah, and Viewer Response to Noah Robert Johnston 5. Muslim Reception of Aronofsky's Noah David Tollerton 6. Rock Giants, A Magic Stone, and the Creator's Light: Extra-Biblical Literature in the Noah Movie Ingrid Lily 7. An Ongoing Tradition: Aronofsky's Noah as 21st-Century Rewritten Scripture Matthew A. Collins 8. The Presence and Hiddenness of God In Noah Reinhold Zwick 9. How Darren Aronofsky and Ari Handel Handle Ham Justin Reed 10. Real Women and Men Who Can Kill: Gender Politics in Aronofsky's Noah Rhonda Burnette-Bletsch 11. Saving the Innocent: The Role of Animals in the Ecology of Noah Jon Morgan 12. It's not the end of the world: Darren Aronofsky's Noah and IMAX Apocalyptic Ecology Sam Tongue
Introduction Rhonda Burnette-Bletsch and Jon Morgan 1. Seeing is Believing: Spectacle and Revelation in Aronofsky's Noah David J. Shepherd 2. Noah as a Biblical Blockbuster Laura Copier 3. Noah as an Aronofsky Epic Richard Walsh 4. Hearing God: Noah, Aronofsky's Noah, and Viewer Response to Noah Robert Johnston 5. Muslim Reception of Aronofsky's Noah David Tollerton 6. Rock Giants, A Magic Stone, and the Creator's Light: Extra-Biblical Literature in the Noah Movie Ingrid Lily 7. An Ongoing Tradition: Aronofsky's Noah as 21st-Century Rewritten Scripture Matthew A. Collins 8. The Presence and Hiddenness of God In Noah Reinhold Zwick 9. How Darren Aronofsky and Ari Handel Handle Ham Justin Reed 10. Real Women and Men Who Can Kill: Gender Politics in Aronofsky's Noah Rhonda Burnette-Bletsch 11. Saving the Innocent: The Role of Animals in the Ecology of Noah Jon Morgan 12. It's not the end of the world: Darren Aronofsky's Noah and IMAX Apocalyptic Ecology Sam Tongue
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