Jimmy ist einer von den guten Jungs, allerdings einer mit gewaltigen Schulden. Und diese hat er ausgerechnet bei Juarez, einem der ausgesprochen bösen Jungs, und mit dem ist ganz und gar nicht zu spaßen.
'Think Reservoir Dogs or Cormac McCarthy's No Country for Old Men . Think Raymond Chandler and James Ellroy' LIONEL SHRIVER, Daily Telegraph
Jimmy Luntz owes money to a man called Juarez. Trouble is, Juarez isn't the most patient of men. And when he gets bored of waiting, he sends someone round to collect. Luntz doesn't actually plan to shoot the guy, but the way he sees it, it's shoot or be shot. Either way, though, Luntz is out of his league, and he knows it: nobody messes with Juarez - or, at least, nobody messes with Juarez and lives to tell the tale.
'Johnson can't help slathering the story's pages in his usual idiosyncratic brilliance . . . Reaching the end, the exhilarated reader is blindsided by the hint of something huge' Guardian
'A fast-paced, violent, hugely entertaining crime caper, packed with terrific set pieces and crackling dialogue. The fun that Johnson obviously had writing it steams off every page' Sunday Telegraph
'Johnson's writing looks extremely simple. Let me tell you it is not - this kind of spare, poetic, humorous storytelling is only for the big boys. This is brilliant' The Times
'Think Reservoir Dogs or Cormac McCarthy's No Country for Old Men . Think Raymond Chandler and James Ellroy' LIONEL SHRIVER, Daily Telegraph
Jimmy Luntz owes money to a man called Juarez. Trouble is, Juarez isn't the most patient of men. And when he gets bored of waiting, he sends someone round to collect. Luntz doesn't actually plan to shoot the guy, but the way he sees it, it's shoot or be shot. Either way, though, Luntz is out of his league, and he knows it: nobody messes with Juarez - or, at least, nobody messes with Juarez and lives to tell the tale.
'Johnson can't help slathering the story's pages in his usual idiosyncratic brilliance . . . Reaching the end, the exhilarated reader is blindsided by the hint of something huge' Guardian
'A fast-paced, violent, hugely entertaining crime caper, packed with terrific set pieces and crackling dialogue. The fun that Johnson obviously had writing it steams off every page' Sunday Telegraph
'Johnson's writing looks extremely simple. Let me tell you it is not - this kind of spare, poetic, humorous storytelling is only for the big boys. This is brilliant' The Times
Frankfurter Allgemeine Zeitung | Besprechung von 21.03.2010Literatur I So weit, wie jetzt viele behaupten, war der Weg gar nicht für Denis Johnson von seinen dickleibigen, düsteren Epen zum kleinen Pulp-Roman "Keine Bewegung!" (Rowohlt, 17,95 Euro). Wer sich an die bizarren Geschichten in "Jesus' Sohn" erinnert, dem kommt der Friseur Jimmy Luntz ziemlich vertraut vor, der Spielschulden hat, ein geborener Loser ist und in einer Bar in Bakersfield eine schöne Indianerin namens Anita trifft. Es wird nicht nur mit Revolvern geschossen, auch die Dialoge sind bisweilen waffenscheinpflichtig, und bei der Schnitzeljagd zwischen Mafiosi, Kleinstadthonoratioren und dem armen Jimmy muss die Polizei leider draußen bleiben. Auch der rot-schwarze Buchumschlag passt: Blut und Noir, angerührt mit einem ausgeprägten Sinn fürs Absurde.
pek
Alle Rechte vorbehalten. © F.A.Z. GmbH, Frankfurt am Main
pek
Alle Rechte vorbehalten. © F.A.Z. GmbH, Frankfurt am Main