Noir Affect
Herausgeber: Breu, Christopher; Hatmaker, Elizabeth A
Noir Affect
Herausgeber: Breu, Christopher; Hatmaker, Elizabeth A
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- Produkterinnerung
Noir Affect defines noir in relationship to negative affect. It traces noir's negativity as it manifests in different national contexts and a range of different media. The forms of affect associated with noir are resolutely negative: loss, sadness, rage, shame, guilt, regret, anxiety, humiliation, resentment, resistance, and refusal.
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Noir Affect defines noir in relationship to negative affect. It traces noir's negativity as it manifests in different national contexts and a range of different media. The forms of affect associated with noir are resolutely negative: loss, sadness, rage, shame, guilt, regret, anxiety, humiliation, resentment, resistance, and refusal.
Produktdetails
- Produktdetails
- Verlag: Fordham University Press
- Seitenzahl: 304
- Erscheinungstermin: 2. Juni 2020
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 585g
- ISBN-13: 9780823287802
- ISBN-10: 0823287807
- Artikelnr.: 57577270
- Verlag: Fordham University Press
- Seitenzahl: 304
- Erscheinungstermin: 2. Juni 2020
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 585g
- ISBN-13: 9780823287802
- ISBN-10: 0823287807
- Artikelnr.: 57577270
Paula Rabinowitz (Afterword By) Paula Rabinowitz is Professor Emerita of English at the University of Minnesota and serves as editor-in- chief of the Oxford Research Encyclopedia of Literature. Her publications include numerous essays and books on mid-twentieth-century American culture, including Black and White and Noir: Americäs Pulp Modernism (2002) and the prize-winning American Pulp: How Paperbacks Brought Modernism to Main Street (2014). She is currently working on a collection of essays titled ¿Into the Image¿ and a double biography of two fathers, ¿Cold War Dads: Family Secrets and the National Security State.¿ She lives in Queens, New York. Christopher Breu (Edited By) Christopher Breu is professor of English at Illinois State University where he teaches contemporary literature and culture and critical and cultural theory. He is the author of Insistence of the Material: Literature in the Age of Biopolitics (2014) and Hard-Boiled Masculinities (2005). He also is the editor of a special section on ¿Materialisms¿ in symplok¿ 24, nos. 1¿2 (2017). Elizabeth A. Hatmaker (Edited By) Elizabeth A. Hatmaker was a poet, theorist, and teacher. She was instructional assistant professor at Illinois State University. She was the author of two books of poetry, Infrastructures (2015) and Girl in Two Pieces (2009). She passed away in 2015 due to complications from ALS.
Preface vii
Introduction: Dark Passages
Christopher Breu and Elizabeth A. Hatmaker 1
1. Toward Alphaville: Noir, Midcentury Communication, and the Management of
Affect
Justus Nieland 29
2. Public Violence as Private Pathology: Noir Affect in The End of a
Primitive
Christopher Breu 59
3. Cold Kink: Race and Sex in the African American Underworld
Kirin Wachter-Grene 78
4. Noir Pedagogy: The Problem of Student Masochism in the Classroom Economy
Elizabeth A. Hatmaker 99
5. The Shadows of the Twilight World: Beebo Brinker and the Circulation of
Affect
Sean Grattan 122
6. Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape,
Sociological Noir
Ignacio M. Sánchez Prado 137
7. Cyborg Affect and the Power of the Posthuman in the Ghost in the Shell
Franchise
Peter Hitchcock 156
8. Playing with Negativity: Max Payne, Neoliberal Collapse, and the Noir
Video Game
Brian Rejack 178
9. Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl
Pamela Thoma 197
10. Surplus Feelings: Neoliberal Noir and the Affective Economy of Debt
Alexander Dunst 222
11. Capitalism as Affective Atmosphere: The Noir Worlds of Massimo Carlotto
Andrew Pepper 241
Afterword: Melodrama, Noir's Kid Sister, or Crying in Trump's America
Paula Rabinowitz 261
List of Contributors 275
Index 279
Introduction: Dark Passages
Christopher Breu and Elizabeth A. Hatmaker 1
1. Toward Alphaville: Noir, Midcentury Communication, and the Management of
Affect
Justus Nieland 29
2. Public Violence as Private Pathology: Noir Affect in The End of a
Primitive
Christopher Breu 59
3. Cold Kink: Race and Sex in the African American Underworld
Kirin Wachter-Grene 78
4. Noir Pedagogy: The Problem of Student Masochism in the Classroom Economy
Elizabeth A. Hatmaker 99
5. The Shadows of the Twilight World: Beebo Brinker and the Circulation of
Affect
Sean Grattan 122
6. Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape,
Sociological Noir
Ignacio M. Sánchez Prado 137
7. Cyborg Affect and the Power of the Posthuman in the Ghost in the Shell
Franchise
Peter Hitchcock 156
8. Playing with Negativity: Max Payne, Neoliberal Collapse, and the Noir
Video Game
Brian Rejack 178
9. Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl
Pamela Thoma 197
10. Surplus Feelings: Neoliberal Noir and the Affective Economy of Debt
Alexander Dunst 222
11. Capitalism as Affective Atmosphere: The Noir Worlds of Massimo Carlotto
Andrew Pepper 241
Afterword: Melodrama, Noir's Kid Sister, or Crying in Trump's America
Paula Rabinowitz 261
List of Contributors 275
Index 279
Preface vii
Introduction: Dark Passages
Christopher Breu and Elizabeth A. Hatmaker 1
1. Toward Alphaville: Noir, Midcentury Communication, and the Management of
Affect
Justus Nieland 29
2. Public Violence as Private Pathology: Noir Affect in The End of a
Primitive
Christopher Breu 59
3. Cold Kink: Race and Sex in the African American Underworld
Kirin Wachter-Grene 78
4. Noir Pedagogy: The Problem of Student Masochism in the Classroom Economy
Elizabeth A. Hatmaker 99
5. The Shadows of the Twilight World: Beebo Brinker and the Circulation of
Affect
Sean Grattan 122
6. Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape,
Sociological Noir
Ignacio M. Sánchez Prado 137
7. Cyborg Affect and the Power of the Posthuman in the Ghost in the Shell
Franchise
Peter Hitchcock 156
8. Playing with Negativity: Max Payne, Neoliberal Collapse, and the Noir
Video Game
Brian Rejack 178
9. Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl
Pamela Thoma 197
10. Surplus Feelings: Neoliberal Noir and the Affective Economy of Debt
Alexander Dunst 222
11. Capitalism as Affective Atmosphere: The Noir Worlds of Massimo Carlotto
Andrew Pepper 241
Afterword: Melodrama, Noir's Kid Sister, or Crying in Trump's America
Paula Rabinowitz 261
List of Contributors 275
Index 279
Introduction: Dark Passages
Christopher Breu and Elizabeth A. Hatmaker 1
1. Toward Alphaville: Noir, Midcentury Communication, and the Management of
Affect
Justus Nieland 29
2. Public Violence as Private Pathology: Noir Affect in The End of a
Primitive
Christopher Breu 59
3. Cold Kink: Race and Sex in the African American Underworld
Kirin Wachter-Grene 78
4. Noir Pedagogy: The Problem of Student Masochism in the Classroom Economy
Elizabeth A. Hatmaker 99
5. The Shadows of the Twilight World: Beebo Brinker and the Circulation of
Affect
Sean Grattan 122
6. Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape,
Sociological Noir
Ignacio M. Sánchez Prado 137
7. Cyborg Affect and the Power of the Posthuman in the Ghost in the Shell
Franchise
Peter Hitchcock 156
8. Playing with Negativity: Max Payne, Neoliberal Collapse, and the Noir
Video Game
Brian Rejack 178
9. Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl
Pamela Thoma 197
10. Surplus Feelings: Neoliberal Noir and the Affective Economy of Debt
Alexander Dunst 222
11. Capitalism as Affective Atmosphere: The Noir Worlds of Massimo Carlotto
Andrew Pepper 241
Afterword: Melodrama, Noir's Kid Sister, or Crying in Trump's America
Paula Rabinowitz 261
List of Contributors 275
Index 279