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The poems in Noise of the World tell real stories, real because the poet doesn't shy away from the limitations of being human. There are love poems, moments of desire, of "Pressing my lips and teeth hard against / Your shoulder, dissolving beneath your / Fingers, tongue, the shiver in your / Abdomen," but they are tempered by the knowledge that the person loved will never be fully known and, ultimately, even desire is something that can't be understood. His poems of history, like his love poems, find their reality in particular moments such as "The dark hands of the Zapatistas / Curled around…mehr

Produktbeschreibung
The poems in Noise of the World tell real stories, real because the poet doesn't shy away from the limitations of being human. There are love poems, moments of desire, of "Pressing my lips and teeth hard against / Your shoulder, dissolving beneath your / Fingers, tongue, the shiver in your / Abdomen," but they are tempered by the knowledge that the person loved will never be fully known and, ultimately, even desire is something that can't be understood. His poems of history, like his love poems, find their reality in particular moments such as "The dark hands of the Zapatistas / Curled around white cups, eyes ignoring / The camera," or "That cup of coffee and the soft, white bread / Depend on being born here, not there. Then, / Not some other time." History encompasses as well the poet's family, his life in Miami with his compañera, the Colombian poet Ximena Gómez, the classes he teaches in Florida prisons, his travels to Europe, Colombia, and Mexico, the Covid-19 quarantine, the writers and artists who've shaped how he sees and responds, and the solitude he experiences: the "House that quiet, the dog outside poking / His nose into opossum smells or / The pleasure of rotting leaves." This book celebrates sensual life and the imagination while reminding us that even in moments of love or solitude, even when we don't hear it, the noise of the world is still there.
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Autorenporträt
George Franklin graduated from Harvard University in 1975, where he studied poetry with Elizabeth Bishop and Robert Fitzgerald. He subsequently received an MFA in creative writing from Brown University, and an MA in English literature from Columbia University. He lived for over ten years in the ashrams of his spiritual preceptor in India and in upstate New York, where he developed a keen interest in Kashmir Shaivism. He has published two books of poetry, The Fall of Miss Alaska (Six Gallery Press, 2007) and the chapbook Contour with Shadow (Frolic Press, 2016). A forthcoming book will be published by Ristretto Press. His uncollected poems, including "Talking Head," a forty-page poem in blank verse, have been published widely, most prominently in Epiphany Magazine and in The Recorder, the Journal of the American Irish Historical Society. He had the honor of serving as editorial assistant to the great scholar and pandit of Kashmir Shaivism, Debarata Sensharma, on his translation of and commentary on Abhinavagupta's Paramarthasara.