Non-Representational Theory and the Creative Arts
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This book presents distinct perspectives from both geographically-oriented creative practices and geographers working with arts-based processes. In doing so, it fills a significant gap in the already sizeable body of non-representational discourse by bringing together images and reflections on performances, art practice, theatre, dance, and sound production alongside theoretical contributions and examples of creative writing. It considers how contemporary art making is being shaped by spatial enquiry and how geographical research has been influenced by artistic practice. It provides a clear…mehr

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Produktbeschreibung
This book presents distinct perspectives from both geographically-oriented creative practices and geographers working with arts-based processes. In doing so, it fills a significant gap in the already sizeable body of non-representational discourse by bringing together images and reflections on performances, art practice, theatre, dance, and sound production alongside theoretical contributions and examples of creative writing. It considers how contemporary art making is being shaped by spatial enquiry and how geographical research has been influenced by artistic practice. It provides a clear and concise overview of the principles of non-representational theory for researchers and practitioners in the creative arts and, across its four sections, demonstrates the potential for non-representational theory to bring cultural geography and contemporary art closer than ever before.
Autorenporträt
Dr Candice Boyd is Australian Research Council DECRA Fellow at the School of Geography at the University of Melbourne with a PhD in psychology and a joint PhD in cultural geography and the creative arts. She is a practice-based researcher with interests in the geographies of mental health and wellbeing, rural youth, contemporary museums, and sonic geographies. Dr Christian Edwardes is Senior Lecturer and Course Leader in Illustration at the Arts University Bournemouth. His recent research is focused on studio geographies and the geoaesthetics of art production, which also form a central strand of his artistic practice. His works have been exhibited in the UK and Australia.