In Shane McCrae's NONFICTION, the self is repeatedly re-figured as the site of rupture between truth and fiction, present and past, first-person and third-person-the rupture in which the dichotomies we live by, the dichotomies that erase us, originate. The speakers of these poems inhabit impossible situations, and the poems themselves speak neither of overcoming, nor of being overcome by, these impossibilities, but of the moment of equilibrium between extremes, the moment of uncertainty from which the future emerges. As McCrae writes at the end of his two-part poem on Solomon Northup, "in the…mehr
In Shane McCrae's NONFICTION, the self is repeatedly re-figured as the site of rupture between truth and fiction, present and past, first-person and third-person-the rupture in which the dichotomies we live by, the dichotomies that erase us, originate. The speakers of these poems inhabit impossible situations, and the poems themselves speak neither of overcoming, nor of being overcome by, these impossibilities, but of the moment of equilibrium between extremes, the moment of uncertainty from which the future emerges. As McCrae writes at the end of his two-part poem on Solomon Northup, "in the darkness / I after a while couldn't be sure / My eyes were open." These poems assert, and foreground, possibility; the rupture they describe is hope.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Shane McCrae is the author of FORGIVENESS FORGIVENESS (Factory Hollow Press, 2014), NONFICTION (Black Lawrence Press, 2014), BLOOD (Noemi Press, 2013), and MULE (Cleveland State University Poetry Center, 2010), and the chapbooks IN CANAAN (Rescue Press, 2011) and One Neither One (Octopus Books, 2009). He has received a Whiting Writing's Award, a fellowship from the NEA, and the 2017 Lannan Literary Award for Poetry. He teaches at Oberlin College and in the brief-residency MFA program at Spalding University.
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