Nordic Exposures explores how Scandinavian whiteness and ethnicity functioned in classical Hollywood cinema between and during the two world wars.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Arne Lunde is assistant professor of Scandinavian studies at UCLA.
Inhaltsangabe
Acknowledgments Introduction 1. Racializing Vinland: The Nordic Conquest of Whiteness in Technicolor's "The Viking" 2. Scandinavian/American Whiteface: Ethnic Whiteness and Assimilation in Victor Sjostrom's "He Who Gets Slapped" 3. Hotel Imperial: The Border Crossings of Mauritz Stiller 4. Garbo Talks: Scandinavians, the Talkie Revolution, and the Crisis of Foreign Voice 5. Charlie Chan is Swedish: The Asian Racial Masquerades and Nordic Otherness of Warner Oland 6. Two-Faced Women: Hollywood's and Third Reich Cinema's War for the Nordic Female Star Conclusion Notes Bibliography Index
Acknowledgments Introduction 1. Racializing Vinland: The Nordic Conquest of Whiteness in Technicolor's "The Viking" 2. Scandinavian/American Whiteface: Ethnic Whiteness and Assimilation in Victor Sjostrom's "He Who Gets Slapped" 3. Hotel Imperial: The Border Crossings of Mauritz Stiller 4. Garbo Talks: Scandinavians, the Talkie Revolution, and the Crisis of Foreign Voice 5. Charlie Chan is Swedish: The Asian Racial Masquerades and Nordic Otherness of Warner Oland 6. Two-Faced Women: Hollywood's and Third Reich Cinema's War for the Nordic Female Star Conclusion Notes Bibliography Index
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