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"In this ... volume, nothing is quite as it seems. We meet a queen who makes a bargain she cannot keep; a secretary who watches over the life she has just left; a lost man who bets on a horse that may--or may not--have spoken to him. Everything that readers love about the novels of Kate Atkinson is here: the inventiveness, the verbal felicity, the sharp observations on human nature, and the deeply satisfying emotional wallop. Witty and wise, with subtle connections between the stories, [this collection] is a startling and funny feast for the imagination, stories with the depth and bite to create their own fully-formed worlds"--…mehr

Produktbeschreibung
"In this ... volume, nothing is quite as it seems. We meet a queen who makes a bargain she cannot keep; a secretary who watches over the life she has just left; a lost man who bets on a horse that may--or may not--have spoken to him. Everything that readers love about the novels of Kate Atkinson is here: the inventiveness, the verbal felicity, the sharp observations on human nature, and the deeply satisfying emotional wallop. Witty and wise, with subtle connections between the stories, [this collection] is a startling and funny feast for the imagination, stories with the depth and bite to create their own fully-formed worlds"--
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Autorenporträt
KATE ATKINSON won the Whitbread (now Costa) Book of the Year prize with her first novel, Behind the Scenes at the Museum. Her 2013 novel Life After Life was shortlisted for the Women's Prize for Fiction and voted Book of the Year for the independent booksellers associations on both sides of the Atlantic. It also won the Costa Novel Award, as did her subsequent novel, A God in Ruins (2015), and was adapted into a critically acclaimed television series in 2022. Her bestselling novels featuring former detective Jackson Brodie became the BBC television series Case Histories, starring Jason Isaacs. She has written twelve groundbreaking, bestselling books and lives in Edinburgh, Scotland.
Rezensionen
What really binds these stories is their underlying theme, which has perhaps always been Atkinson's true subject: the nature of storytelling itself. She can be very funny, but she is highly serious about the idea that human existence is bound up with words... If you're thinking about what fiction means, no invocation could be more thought-provoking or ironically complex Times Literary Supplement