Offers fresh perspectives on the function of nationalist thought in the cosmopolitan opera world, with particular emphasis on the idea of "Russianness" in four nineteenth-century operas by Glinka, Serov, Tchaikovsky, and Rimsky-Korsakov.
Offers fresh perspectives on the function of nationalist thought in the cosmopolitan opera world, with particular emphasis on the idea of "Russianness" in four nineteenth-century operas by Glinka, Serov, Tchaikovsky, and Rimsky-Korsakov.
Introduction: The Part and the Whole A Life for the Tsar and Bel Canto Opera Subject Matter, Local Color, and National Style in Judith French Theatricality and Inadvertent Russianisms in The Maid of Orleans The Tsar's Bride and the Dilemma of History Conclusion Abbreviations Notes Bibliography Index
Introduction: The Part and the Whole A Life for the Tsar and Bel Canto Opera Subject Matter, Local Color, and National Style in Judith French Theatricality and Inadvertent Russianisms in The Maid of Orleans The Tsar's Bride and the Dilemma of History Conclusion Abbreviations Notes Bibliography Index
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