Nothing Can Hurt You - Goldberg, Nicola Maye
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'I read this in one sitting. Fascinating and unique' BELLA MACKIE
'Gripping, sharp and sultry' PANDORA SYKES
'Superbly unsettling' GUARDIAN
'A gothic Olive Kitteridge mixed with Gillian Flynn' VOGUE
On a cold day in 1997, student Sara Morgan was killed in the woods surrounding her liberal arts college in upstate New York. When suspicion falls on the person closest to her - her boyfriend, Blake - the case comes to haunt the friends, family and acquaintances of the couple in strange and unexpected ways. Some look for answers, while others are set on retribution; from the young woman…mehr

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Produktbeschreibung
'I read this in one sitting. Fascinating and unique' BELLA MACKIE

'Gripping, sharp and sultry' PANDORA SYKES

'Superbly unsettling' GUARDIAN

'A gothic Olive Kitteridge mixed with Gillian Flynn' VOGUE

On a cold day in 1997, student Sara Morgan was killed in the woods surrounding her liberal arts college in upstate New York. When suspicion falls on the person closest to her - her boyfriend, Blake - the case comes to haunt the friends, family and acquaintances of the couple in strange and unexpected ways. Some look for answers, while others are set on retribution; from the young woman who discovers the body to Sara's half-sister who, years later, seeks out her own form of justice.

A propulsive, taut tale of obsession and voyeurism, Nothing Can Hurt You pieces together a chorus of unforgettable voices to explore the far-reaching consequences of one single act of violence.
Autorenporträt
Nicole Maye Goldberg is a graduate of Bard College and Columbia University. She is the author of the novella Other Women (Sad Spell Press, 2016) and the poetry collection The Doll Factory (Dancing Girl Press, 2017). Her work has appeared in CrimeReads, The Quietus, Queen Mob's Tea House, Winter Tangerine, and elsewhere. She lives in New York City.
Rezensionen
Captivating, serpentine and affecting, Nicola Maye Goldberg's Nothing Can Hurt You subverts the tropes of the "dead girl" genre in ways that impart its female characters with a dark majesty and mystery all their own Megan Abbott
A melancholy thing about the stories and images and people that haunt, rather than another post-mortem on a pretty dead girl. I loved it