Novel Perspectives on German-Language Comics Studies: History, Pedagogy, Theory is the first English-language anthology to focus on graphic novels and comics from the German-speaking world. Its contributors take innovative historical, pedagogical, and theoretical approaches to reading contemporary German-language comics and, in doing so, demand that the German-language comics tradition, separate from American or Franco-Belgian traditions, be taken seriously at home and abroad.
Novel Perspectives on German-Language Comics Studies: History, Pedagogy, Theory is the first English-language anthology to focus on graphic novels and comics from the German-speaking world. Its contributors take innovative historical, pedagogical, and theoretical approaches to reading contemporary German-language comics and, in doing so, demand that the German-language comics tradition, separate from American or Franco-Belgian traditions, be taken seriously at home and abroad.
Edited by Lynn M. Kutch - Contributions by Vance Byrd; Matt Hambro; Joshua Kavaloski; Eckhard Kuhn-Osius; Antje Krueger; Jens Kußmann; Julia Ludewig; Bernadette Raedler; Brett Sterling and Jan Alexander van Nahl
Inhaltsangabe
Introduction Lynn Marie Kutch CONTEXTS AND HISTORIES Chapter 1 - German Comics: Form, Content and Production Matt Hambro Chapter 2 - Before They Were "Art:" (West) German Proto-Comics and Comics: A Brief and Somewhat Subjective Survey Eckhard Kuhn-Osius GERMAN CULTURAL EDUCATION Chapter 3 - Nothing but Exclamation Points? Comics in the Bavarian Academic High School Jens Kußmann Chapter 4 - The Book of Revelation as Graphic Novel: Reimagining the Bible in Present-Day Europe Jan Alexander van Nahl GRAPHIC NOVELS: HANDS-ON Chapter 5 - Using Graphic Novels for Content Learning in the German-Studies Classroom: The Basel City Reportage Operation Läckerli Julia Ludewig Chapter 6 - "Show and Tell:" Using Graphic Novels for Teaching East German History in the Novice and Intermediate Foreign-Language German Classroom Antje Krueger GENERATIONS OF GERMAN HISTORY Chapter 7 - Tensions Acrobatics in Comic Art: Line Hoven's Liebe schaut weg Bernadette Raedler Chapter 8 - Perspectivity in Graphic Novels about War: Germany's Bundeswehr Operation in Afghanistan Joshua Kavaloski AUSTRIAN VOICES Chapter 9 - Cultural Legitimacy and Nicolas Mahler's Autobiographical Comics Vance Byrd Chapter 10 - The Perfection of Imperfection: Nicolas Mahler's Alte Meister Brett Sterling Chapter 11 - Patterns of Memory and Self-Confrontation in Gerald Hartwig's Chamäleon Lynn Marie Kutch
Introduction Lynn Marie Kutch CONTEXTS AND HISTORIES Chapter 1 - German Comics: Form, Content and Production Matt Hambro Chapter 2 - Before They Were "Art:" (West) German Proto-Comics and Comics: A Brief and Somewhat Subjective Survey Eckhard Kuhn-Osius GERMAN CULTURAL EDUCATION Chapter 3 - Nothing but Exclamation Points? Comics in the Bavarian Academic High School Jens Kußmann Chapter 4 - The Book of Revelation as Graphic Novel: Reimagining the Bible in Present-Day Europe Jan Alexander van Nahl GRAPHIC NOVELS: HANDS-ON Chapter 5 - Using Graphic Novels for Content Learning in the German-Studies Classroom: The Basel City Reportage Operation Läckerli Julia Ludewig Chapter 6 - "Show and Tell:" Using Graphic Novels for Teaching East German History in the Novice and Intermediate Foreign-Language German Classroom Antje Krueger GENERATIONS OF GERMAN HISTORY Chapter 7 - Tensions Acrobatics in Comic Art: Line Hoven's Liebe schaut weg Bernadette Raedler Chapter 8 - Perspectivity in Graphic Novels about War: Germany's Bundeswehr Operation in Afghanistan Joshua Kavaloski AUSTRIAN VOICES Chapter 9 - Cultural Legitimacy and Nicolas Mahler's Autobiographical Comics Vance Byrd Chapter 10 - The Perfection of Imperfection: Nicolas Mahler's Alte Meister Brett Sterling Chapter 11 - Patterns of Memory and Self-Confrontation in Gerald Hartwig's Chamäleon Lynn Marie Kutch
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