Novel Theory offers a new history of how modernists renovated the theory of the novel, and reveals that technology played a key role in their thinking. It will find interest amongst graduates and scholars working on modernism, the novel generally, and the relationship between literature and technology.
Novel Theory offers a new history of how modernists renovated the theory of the novel, and reveals that technology played a key role in their thinking. It will find interest amongst graduates and scholars working on modernism, the novel generally, and the relationship between literature and technology.
Heather Fielding is Associate Professor of English and Associate Dean of the Honors College at Purdue University Northwest in Westville and Hammond, Indiana.
Inhaltsangabe
Introduction. Readers and machines in modernist novel theory; 1. Point of view as projector: Henry James, Percy Lubbock, and the modernist management of reading; 2. What carries the novel: Ford Madox Ford, Impressionist connectivity, and the telephone; 3. 'Every age has been 'a machine age'': Wyndham Lewis and the novel's technological temporality; 4. From empathy to the super-cortex: Rebecca West's technics of the novel; Conclusion. Novel theory and technology in late Modernism.
Introduction. Readers and machines in modernist novel theory; 1. Point of view as projector: Henry James, Percy Lubbock, and the modernist management of reading; 2. What carries the novel: Ford Madox Ford, Impressionist connectivity, and the telephone; 3. 'Every age has been 'a machine age'': Wyndham Lewis and the novel's technological temporality; 4. From empathy to the super-cortex: Rebecca West's technics of the novel; Conclusion. Novel theory and technology in late Modernism.
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