Engages with nineteenth-century visual culture in an unusually broad way, juxtaposing photography, fashion, broadside ballads, popular prints and caricature in order to re-examine Victorian society between Chartism and the Great Exhibition.
Engages with nineteenth-century visual culture in an unusually broad way, juxtaposing photography, fashion, broadside ballads, popular prints and caricature in order to re-examine Victorian society between Chartism and the Great Exhibition.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jo Briggs is Assistant Curator of 18th- and 19th-Century Art at the Walters Art Museum, Baltimore
Inhaltsangabe
Introduction: time's question 1. The 'offensive body': the politics of consumption in 1848 2. 'All that is solid melts into air': representing the Chartist crowd in 1848 3. 'The gutta percha staff': between respectable and risqué satire in 1848 4. 'All that is sacred is profaned': balloons, fairs, ballads and the Great Exhibition 5. 'The pound and the shilling': romance and the cash nexus at the Great Exhibition 6. A 'chamber of horrors': class and consumption at mid-century Conclusion: Novelty Fair, burlesquing history Index
Introduction: time's question 1. The 'offensive body': the politics of consumption in 1848 2. 'All that is solid melts into air': representing the Chartist crowd in 1848 3. 'The gutta percha staff': between respectable and risqué satire in 1848 4. 'All that is sacred is profaned': balloons, fairs, ballads and the Great Exhibition 5. 'The pound and the shilling': romance and the cash nexus at the Great Exhibition 6. A 'chamber of horrors': class and consumption at mid-century Conclusion: Novelty Fair, burlesquing history Index
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