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Arguing that Santi Cosma e Damiano was a reform convent, the author of this interdisciplinary study explores how its nuns employed art and architecture as a means to actively express their specific religious concerns. While focusing on the reconstruction of the history and construction of the convent, this study's larger concern is with the religious reform movement, and with the convent as a space for female self-realization in early modern Venice.

Produktbeschreibung
Arguing that Santi Cosma e Damiano was a reform convent, the author of this interdisciplinary study explores how its nuns employed art and architecture as a means to actively express their specific religious concerns. While focusing on the reconstruction of the history and construction of the convent, this study's larger concern is with the religious reform movement, and with the convent as a space for female self-realization in early modern Venice.
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Autorenporträt
Benjamin Paul is an Assistant Professor of Art History at Rutgers, The State University of New Jersey, USA.