Oberon Anthology of Contemporary American Plays - Healy, Ann Marie; Jones, Nick; Parks, Suzan-Lori
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The second volume in this series brings together some of the best new writing from contemporary American playwrights. Each play is introduced by critically acclaimed writers themselves. The volume includes: THE EDGE OF OUR BODIES by Adam Rapp, Introduced by AM Homes THE COWARD by Nick Jones, Introduced by Marsha Norman THE BOOK OF GRACE by Suzan-Lori Parks, Introduced by Oskar Eustis WHAT ONCE WE FELT by Ann Marie Healy, Introduced by Paula Vogel

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Produktbeschreibung
The second volume in this series brings together some of the best new writing from contemporary American playwrights. Each play is introduced by critically acclaimed writers themselves. The volume includes: THE EDGE OF OUR BODIES by Adam Rapp, Introduced by AM Homes THE COWARD by Nick Jones, Introduced by Marsha Norman THE BOOK OF GRACE by Suzan-Lori Parks, Introduced by Oskar Eustis WHAT ONCE WE FELT by Ann Marie Healy, Introduced by Paula Vogel
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Autorenporträt
Ann Marie Healys play What Once We Felt was a finalist for the 2009 Susan Smith Blackburn Prize and a finalist for the Jane Chambers Playwriting Award. Adam Rapp is an OBIE Award-winning playwright and director, as well as a novelist, filmmaker, actor, and musician. His play The Purple Lights of Joppa Illinois had its world première last month at South Coast Repertory. His other plays include Red Light Winter (Citation from the American Theatre Critics Association, a Lucille Lortel Nomination for Best New Play, two OBIE Awards, and was named a finalist for the 2006 Pulitzer Prize), Blackbird, The Metal Children, Finer Noble Gases, Through The Yellow Hour, The Hallway Trilogy, Nocturne, Ghosts in the Cottonwoods, Animals and Plants, Stone Cold Dead Serious, Faster, Gompers, Essential Self-Defense, American Slingo, and Kindness. For film, he wrote the screenplay for Winter Passing; and recently directed Loitering with Intent. Rapp has been the recipient of the 1999 Princess Grace Award for Playwriting, a 2000 Roger L. Stevens Award from the Kennedy Center Fund for New American Plays, the 2001 Helen Merrill Award for Emerging Playwrights, and Boston's Elliot Norton Award; and was short-listed for the 2003 William Saroyan International Prize for Writing, received the 2006 Princess Grace Statue, a 2007 Lucille Lortel Playwriting Fellowship, and the Benjamin H. Danks Award from the American Academy of Arts and Letters.