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En el grupo de promotores medievales que, sin lugar a dudas, determinaron la forma, funcióny significado de las obras de arte, destacan los prelados. El papel de los obispos en las tareas constructivas y en el encargo de objetos suntuarios fue esencial porque, aunque muchos de ellos dedicaron poco tiempo a la atención de sus sedes y derivaron la responsabilidad de la organización de la Iglesia hacia el cabildo, mostraron interés en la promoción de nuevos edificios y de otros trabajos que contribuyeran a engrandecer el esplendor de la catedral y su propio prestigio personal.
Este libro es resultado de un proyecto de investigación titulado »Obispos y catedrales. Arte en la Castilla bajomedieval«, financiado por el Ministerio de Economía y Competitividad, en el que analizamos la ideología artística de los principales promotores episcopales en la Castilla bajomedieval y, a partir de ello, tratamos de hacer una interpretación más profunda y afinada de los trabajos llevados a cabo en las catedrales más relevantes del reino.
Within the group of medieval promoters that, without no doubt whatsoever, largely determined the shape, function and meaning of the artistic objects stand out the prelates. The role of the bishops in the building tasks and in the promotion of sumptuary works was essential because, although some of them devoted little time to the see and, to a large extend, they diverted the responsibility of the organization of the Church to the chapterhouse members, they did show interest in the promotion of new buildings and other works that could contribute to enlarge the splendour of the cathedral and also their own personal prestige.
This book is the result of a research project titled, »Bishops and Cathedrals. Art in late medieval Castile«, funded by the Spanish Ministry of Economy and Competitivity, in which we set out to get to know the artistic ideology of the main episcopal promoters in the Late Castilian Middle Ages and, through it, to make a deeper and more refined interpretation of the works carried out in the most relevant cathedrals of the kingdom.
Este libro es resultado de un proyecto de investigación titulado »Obispos y catedrales. Arte en la Castilla bajomedieval«, financiado por el Ministerio de Economía y Competitividad, en el que analizamos la ideología artística de los principales promotores episcopales en la Castilla bajomedieval y, a partir de ello, tratamos de hacer una interpretación más profunda y afinada de los trabajos llevados a cabo en las catedrales más relevantes del reino.
Within the group of medieval promoters that, without no doubt whatsoever, largely determined the shape, function and meaning of the artistic objects stand out the prelates. The role of the bishops in the building tasks and in the promotion of sumptuary works was essential because, although some of them devoted little time to the see and, to a large extend, they diverted the responsibility of the organization of the Church to the chapterhouse members, they did show interest in the promotion of new buildings and other works that could contribute to enlarge the splendour of the cathedral and also their own personal prestige.
This book is the result of a research project titled, »Bishops and Cathedrals. Art in late medieval Castile«, funded by the Spanish Ministry of Economy and Competitivity, in which we set out to get to know the artistic ideology of the main episcopal promoters in the Late Castilian Middle Ages and, through it, to make a deeper and more refined interpretation of the works carried out in the most relevant cathedrals of the kingdom.