This is an inspired contribution to the scholarship on one of the most influential American novels and novelists. The author positions Beloved as a meditation on historical justice and re-comprehends it as both a formal tragedy-a generic translation of fiction and tragedy or a "novel-tragedy" (Kliger)-and as a novel of objects.
This is an inspired contribution to the scholarship on one of the most influential American novels and novelists. The author positions Beloved as a meditation on historical justice and re-comprehends it as both a formal tragedy-a generic translation of fiction and tragedy or a "novel-tragedy" (Kliger)-and as a novel of objects.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Maureen E. Ruprecht Fadem completed her Ph.D. in English at The Graduate Center of CUNY. She is Associate Professor of English at CUNY/Kingsborough and Affiliate Professor of Arts and Letters in Drew University's Caspersen School of Graduate Studies. Maureen's research is on Anglophone writing of the late twentieth and twenty-first centuries with specializations in Irish, Asian, and African American literatures. Her research fields include Irish studies, Partition studies, and Postcolonial Studies; within those areas she looks at questions of reparations, of literary poetics, and of race, gender, and class. Maureen's first book, The Literature of Northern Ireland: Spectral Borderlands appeared from Palgrave in 2015. In 2019, a second book-length study titled Silence and Articulacy in the Poetry of Medbh McGuckian was brought out by Rowman & Littlefield. In late 2020, Routledge, Inc. will bring out Maureen's co-edited collection, in which she has two chapters, The Economics of Empire: Genealogies of Capital and the Colonial Encounter. Recent articles include "A Consciousness of Streets: Reflections on the Origin and Spread of Partition" (Synthesis, 2016) and "Drawing the Border, Queering the Nation: Nation Trouble in Breakfast on Pluto and The Crying Game" (Gender Forum, 2016). In 2021, Maureen will commence new research for a three-volume comparative study of modes of realism in the contemporary literatures of partition and for a second edited collection called Imperial Debt, Postcolonial Reparations. She lives in Brooklyn.
Inhaltsangabe
Acknowledgments xiii Foreword: Too Many, Too Quiet, Too Long; or, "Anything is better than the silence" xvii 1 Remembering Is Not Forgetting; or, History Is in the Texts of It [The Form of Beloved] 1 2 Tragedy and Its Props; or, History Is in the Things of It [The Craft of Beloved] 33 3 Literary Memory and the Amnesiac Nation; or, "The rest is weather" [Object Lesson, I] 73 4 Bodies [sic] Matter; or, "Certainly no clamor for a kiss" [Object Lesson, II] 110 5 The Powers of Intertextuality, the Specter of Reparations; or, Three Tragedies and a Critique of the American Slave State [The Object of Beloved] 151 Afterword: First Things, Lost Things; or, The Purloined Name and the Necessity of (Postcolonial) Failure 188 Coda: Impossible Things; or, "I've had enough of shitty news" 202 Bibliography 231 Index 243
Acknowledgments xiii Foreword: Too Many, Too Quiet, Too Long; or, "Anything is better than the silence" xvii 1 Remembering Is Not Forgetting; or, History Is in the Texts of It [The Form of Beloved] 1 2 Tragedy and Its Props; or, History Is in the Things of It [The Craft of Beloved] 33 3 Literary Memory and the Amnesiac Nation; or, "The rest is weather" [Object Lesson, I] 73 4 Bodies [sic] Matter; or, "Certainly no clamor for a kiss" [Object Lesson, II] 110 5 The Powers of Intertextuality, the Specter of Reparations; or, Three Tragedies and a Critique of the American Slave State [The Object of Beloved] 151 Afterword: First Things, Lost Things; or, The Purloined Name and the Necessity of (Postcolonial) Failure 188 Coda: Impossible Things; or, "I've had enough of shitty news" 202 Bibliography 231 Index 243
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