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Examines a series of linked case studies that not only highlight moments of seeming disconnect between seeing and believing, including hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, but also offer a sensory history of ways of seeing.

Produktbeschreibung
Examines a series of linked case studies that not only highlight moments of seeming disconnect between seeing and believing, including hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, but also offer a sensory history of ways of seeing.
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Autorenporträt
A. Joan Saab is Susan B. Anthony Professor of Art History and Vice Provost of Academic Affairs at the University of Rochester. She is the author of For the Millions: American Art and Culture Between the Wars.