Focusing on dramatic literature's contribution to the developing narrative of possessed persons, Of Bondage deepens our understanding of creditor-debtor relations in the period and sheds new light on the conceptual conditions for the institutions of indentured servitude and African slavery.
Focusing on dramatic literature's contribution to the developing narrative of possessed persons, Of Bondage deepens our understanding of creditor-debtor relations in the period and sheds new light on the conceptual conditions for the institutions of indentured servitude and African slavery.
Amanda Bailey is Associate Professor of English at the University of Maryland and author of Flaunting: Style and the Subversive Male Body in Renaissance England.
Inhaltsangabe
Preface Introduction: Bound Bodies and the Theater of Debt Chapter 1. Timon of Athens, Forms of Payback, and the Genre of Debt Chapter 2. Shylock and the Slaves: Owing and Owning in The Merchant of Venice Chapter 3. Michaelmas Term and the Problem of Satisfaction Chapter 4. Freedom, Bondage, and Redemption in The Custom of the Country Chapter 5. Prison Prose, the Pit, and the End of Tricks Epilogue: The Debtor and the Slave Notes Works Cited Index Acknowledgments
Preface Introduction: Bound Bodies and the Theater of Debt Chapter 1. Timon of Athens, Forms of Payback, and the Genre of Debt Chapter 2. Shylock and the Slaves: Owing and Owning in The Merchant of Venice Chapter 3. Michaelmas Term and the Problem of Satisfaction Chapter 4. Freedom, Bondage, and Redemption in The Custom of the Country Chapter 5. Prison Prose, the Pit, and the End of Tricks Epilogue: The Debtor and the Slave Notes Works Cited Index Acknowledgments
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