Interdisciplinary studies of some of the greatest examples of German art song by major scholars in musicology and German literature.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
On Schubert Reading Poetry: A Primer in the Rhythm of Poetry and Music Rufus Hallmark The Musical "Spirit" of Goethe's "Suleika": Schubert's Settings D. 720 and D. 717 Harry E. Seelig Text Music Relations in Schumann's Eichendorff Song" Frühlingsfahrt" Jurgen Thym Hugo Wolf's Ghazal Settings from "Das Schenkenbuch" of Goethe's West östlicher Divan Harry E. Seelig Karl Weigl's Opus 1 in Its Nineteenth Century Context: A Historic Literary Musical Fusion of Goethe's "Wanderers Nachtlied" and "Ein Gleiches" Harry E. Seelig "Hans Adam" Goethe's Parodistic Creation Myth: A Parody Parodied by Hugo Wolf and Richard Strauss Harry E. Seelig Text and Music in Schubert's Settings of Pentameter Poetry Rufus Hallmark and Ann C. Fehn Repetition as Structure in the German Lied: The Ghazal Ann C. Fehn and Jurgen Thym Sonnet Structure and the German Lied: Shackles or Spurs? Ann C. Fehn and Jurgen Thym Schubert's Strategies in Setting Free Verse Jurgen Thym and Ann C. Fehn Hugo Wolf and Goethe's "Duodrama": Toward a "Better Understanding" of the Problematic Divan Trinity of Life, Love, and Spirit Harry E. Seelig Text and Music in Mahler's Kindertotenlieder Ann C. Fehn The Rückert Lieder of Robert and Clara Schumann Rufus Hallmark A Cycle in Flux: Schumann's Eichendorff Liederkreis Jurgen Thym Why Dichterliebe Twice? The Case of Schumann's Opus 24 and Opus 48 Rufus Hallmark Discovering "Musical Impressionism" by Way of Eichendorff and Schumann: Wolf and Pfitzner at the Threshold Jurgen Thym Index
On Schubert Reading Poetry: A Primer in the Rhythm of Poetry and Music Rufus Hallmark The Musical "Spirit" of Goethe's "Suleika": Schubert's Settings D. 720 and D. 717 Harry E. Seelig Text Music Relations in Schumann's Eichendorff Song" Frühlingsfahrt" Jurgen Thym Hugo Wolf's Ghazal Settings from "Das Schenkenbuch" of Goethe's West östlicher Divan Harry E. Seelig Karl Weigl's Opus 1 in Its Nineteenth Century Context: A Historic Literary Musical Fusion of Goethe's "Wanderers Nachtlied" and "Ein Gleiches" Harry E. Seelig "Hans Adam" Goethe's Parodistic Creation Myth: A Parody Parodied by Hugo Wolf and Richard Strauss Harry E. Seelig Text and Music in Schubert's Settings of Pentameter Poetry Rufus Hallmark and Ann C. Fehn Repetition as Structure in the German Lied: The Ghazal Ann C. Fehn and Jurgen Thym Sonnet Structure and the German Lied: Shackles or Spurs? Ann C. Fehn and Jurgen Thym Schubert's Strategies in Setting Free Verse Jurgen Thym and Ann C. Fehn Hugo Wolf and Goethe's "Duodrama": Toward a "Better Understanding" of the Problematic Divan Trinity of Life, Love, and Spirit Harry E. Seelig Text and Music in Mahler's Kindertotenlieder Ann C. Fehn The Rückert Lieder of Robert and Clara Schumann Rufus Hallmark A Cycle in Flux: Schumann's Eichendorff Liederkreis Jurgen Thym Why Dichterliebe Twice? The Case of Schumann's Opus 24 and Opus 48 Rufus Hallmark Discovering "Musical Impressionism" by Way of Eichendorff and Schumann: Wolf and Pfitzner at the Threshold Jurgen Thym Index
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