Using detailed case studies, this innovative book draws upon new archival research, industrial analysis and close textual readings to consider cinema's place in the fictions and critical writings of major female literary figures.
Using detailed case studies, this innovative book draws upon new archival research, industrial analysis and close textual readings to consider cinema's place in the fictions and critical writings of major female literary figures.
Lisa Stead is a Lecturer in Film Studies in the School of Art, Media and American Studies at the University of East Anglia. She is the co-editor of The Boundaries of the Literary Archive: Reclamation and Representation (2013). Her essays on fandom, archives and women's cinema have appeared in Women's History Review and Transformative Works and Cultures, among other publications.
Inhaltsangabe
Illustrations Acknowledgements Preface Chapter 1: Off to the Pictures: Cinema, Fiction and Interwar Culture Chapter 2: Screen Fantasies: Tie-ins and the Short Story Chapter 3: Middlebrow Modernity: Class, Cinemagoing and Selfhood Chapter 4: Wander, Watch, Repeat: Jean Rhys and Cinema Chapter 5: Film Talk: C. A. Lejeune and the Female Film Critic Chapter 6: Elinor Glyn: Intermedial Romance and Authorial Stardom Afterword Bibliography Index
Illustrations Acknowledgements Preface Chapter 1: Off to the Pictures: Cinema, Fiction and Interwar Culture Chapter 2: Screen Fantasies: Tie-ins and the Short Story Chapter 3: Middlebrow Modernity: Class, Cinemagoing and Selfhood Chapter 4: Wander, Watch, Repeat: Jean Rhys and Cinema Chapter 5: Film Talk: C. A. Lejeune and the Female Film Critic Chapter 6: Elinor Glyn: Intermedial Romance and Authorial Stardom Afterword Bibliography Index
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