Freya Jarman-Ivens

Oh Boy!

Masculinities and Popular Music
Herausgeber: Jarman-Ivens, Freya

• Gebundenes Buch

Produktbeschreibung

Oh Boy! is the first serious study of how forms of masculinity are negotiated, constructed, represented and addressed in popular music texts and practices.

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Produktdetails

• Verlag: Taylor & Francis Ltd
• Seitenzahl: 288
• Erscheinungstermin: 25. April 2007
• Englisch
• Abmessung: 231mm x 161mm x 21mm
• Gewicht: 582g
• ISBN-13: 9780415978200
• ISBN-10: 0415978203
• Artikelnr.: 22069499

Autorenporträt

Freya Jarman-Ivens is a lecturer in music at the University of Liverpool. She received her PhD from the University of Newcastle in 2006, and her thesis explored ways in whcih identity is fragmented in late twentieth-century popular music, especially through the use of the voice. Her research interests include queer theory and performativity, psychoanalytic theory, and discourses of technology and musical production. Dr. Jarman-Ivens works on a wide range of musical material, including easy listening, alternative rock, and late nineteenth- and early twentieth-century opera. Her teaching ranges from popular music analysis to the musical construction of character in the Austro-German operatic canon.

Inhaltsangabe

Introduction 1. Which Freddie? Constructions of Masculinity in Freddie
Mercury and Justin Hawkins 2. Negotiating Masculinity in an Indonesian Pop
Song 3: Moshpit Menace and Masculine Mayhem 4. To See Their Father's Eyes
5. Mum's the Word 6. The Sing-song of Undead Labor 7. A Walking Open Wound
8. Don't Cry, Daddy 9. Queer Voices and Musical Genders 10. (Un)Justified
11. Not With You But Of You 12. Some Of Us Can Only Live In Songs Of Love
and Trouble