Ohb Contem Brit Irish Poet Ohbk C
Herausgeber: Robinson, Peter
Ohb Contem Brit Irish Poet Ohbk C
Herausgeber: Robinson, Peter
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This Handbook offers an authoritative and up-to-date collection of original essays bringing together ground breaking research into the development of contemporary poetry in Britain and Ireland.
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This Handbook offers an authoritative and up-to-date collection of original essays bringing together ground breaking research into the development of contemporary poetry in Britain and Ireland.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 782
- Erscheinungstermin: 1. Juni 2013
- Englisch
- Abmessung: 256mm x 174mm x 50mm
- Gewicht: 1495g
- ISBN-13: 9780199596805
- ISBN-10: 0199596808
- Artikelnr.: 38142539
- Verlag: Oxford University Press
- Seitenzahl: 782
- Erscheinungstermin: 1. Juni 2013
- Englisch
- Abmessung: 256mm x 174mm x 50mm
- Gewicht: 1495g
- ISBN-13: 9780199596805
- ISBN-10: 0199596808
- Artikelnr.: 38142539
Peter Robinson is Professor of English and American Literature at the the University of Reading.
* Introduction: The Limits and Openness of the Contemporary
* I. Movements over Time
* 1: Edward Larrissy: Modernist Survivors
* 2: Michael O'Neill: The Thirties Bequest
* 3: Leo Mellor: The Unburied Past: Walking with Ghosts of the 1940s
* 4: William May: 'Obscure and Doubtful': Stevie Smith, F. T. Prince,
and Legacy
* 5: Martin Dodsworth: The Movement: Never and Always
* 6: Jeremy Noel-Tod: 'In different voices': Modernism since the 1960s
* 7: Helen Bailey: Two Poetries?: A Re-examination of the 'Poetry
Divide' in 1970s Britain
* 8: Deryn Rees-Jones: A Dog's Own Chance: The Evolution of Women's
Poetry 1979-2010
* 9: Richard Price: CAT-scanning the Little Magazine
* 10: Matthew Sperling: Books and the Market: Trade Publishers, State
Subsidies, and Small Presses
* II. Senses of Form and Technique
* 11: Jeffrey Wainwright: 'Space available': A Poet's Decisions
* 12: Adam Piette: Contemporary Poetry and Close Reading
* 13: Simon Dentith: . 'All livin language is sacred': Poetry and
Varieties of English in these Islands
* 14: Zoë Skoulding: Misremembered Lyric and Orphaned Music
* 15: Conor Carville: 'The degree of power exercized': Recent Ekphrasis
* 16: Sophie Mayer: Cinema Mon Amour: How British Poetry Fell in Love
with Film
* 17: Peter Carpenter: Singing Schools and Beyond: The Roles of
Creative Writing
* III. Poetry in Places
* 18: Heather O'Donoghue: Historical and Archaeological: The Poetry of
Recovery and Memory
* 19: John Kerrigan: London, Albion
* 20: Peter Middleton: The 'London Cut': Science and Language
* 21: David Wheatley: 'Dafter than we care to own': Some Poets of the
North
* 22: John Redmond: Auden in Ireland
* 23: Maria Johnston: 'Other Modes of Being': Nuala Ní Dhomhnaill and
Translation
* 24: Alice Entwistle: Writing [w]here: Gender and Cultural Positioning
in Ireland and Wales
* 25: Rod Mengham: The Altered Sublime: Raworth, Crozier, Prynne
* IV. Border Crossings
* 26: David Herd: Dislocating Country: Post-War English Poetry and the
Politics of Movement
* 27: Omaar Hena: Multi-ethnic British Poetries
* 28: Stephen Romer: European Affinities
* 29: Iain Galbraith: Scottish Poetry in the Wider World
* 30: Romana Huk: The View from the U. S. A.
* 31: Anna Smaill: Audience and Awkwardness: Personal Poetry in Britain
and New Zealand
* V. Responsibilities and Values
* 32: Max de Gaynesforde: Speech Acts, Responsibility, and Commitment
in Poetry
* 33: Natalie Pollard: 'Is a chat with me your fancy?: Address in
Contemporary British Poetry
* 34: Peter Robinson: . 'There Again': Composition, Revision, and
Repair
* 35: Piers Pennington: Reparation, Atonement, and Redress
* 36: Michael Symmons Roberts: Contemporary Poetry and Belief
* 37: Andrea Brady: The Loneliness of the Long-Distance Poet
* 38: Peter Robinson: Contemporary Poetry and Value
* I. Movements over Time
* 1: Edward Larrissy: Modernist Survivors
* 2: Michael O'Neill: The Thirties Bequest
* 3: Leo Mellor: The Unburied Past: Walking with Ghosts of the 1940s
* 4: William May: 'Obscure and Doubtful': Stevie Smith, F. T. Prince,
and Legacy
* 5: Martin Dodsworth: The Movement: Never and Always
* 6: Jeremy Noel-Tod: 'In different voices': Modernism since the 1960s
* 7: Helen Bailey: Two Poetries?: A Re-examination of the 'Poetry
Divide' in 1970s Britain
* 8: Deryn Rees-Jones: A Dog's Own Chance: The Evolution of Women's
Poetry 1979-2010
* 9: Richard Price: CAT-scanning the Little Magazine
* 10: Matthew Sperling: Books and the Market: Trade Publishers, State
Subsidies, and Small Presses
* II. Senses of Form and Technique
* 11: Jeffrey Wainwright: 'Space available': A Poet's Decisions
* 12: Adam Piette: Contemporary Poetry and Close Reading
* 13: Simon Dentith: . 'All livin language is sacred': Poetry and
Varieties of English in these Islands
* 14: Zoë Skoulding: Misremembered Lyric and Orphaned Music
* 15: Conor Carville: 'The degree of power exercized': Recent Ekphrasis
* 16: Sophie Mayer: Cinema Mon Amour: How British Poetry Fell in Love
with Film
* 17: Peter Carpenter: Singing Schools and Beyond: The Roles of
Creative Writing
* III. Poetry in Places
* 18: Heather O'Donoghue: Historical and Archaeological: The Poetry of
Recovery and Memory
* 19: John Kerrigan: London, Albion
* 20: Peter Middleton: The 'London Cut': Science and Language
* 21: David Wheatley: 'Dafter than we care to own': Some Poets of the
North
* 22: John Redmond: Auden in Ireland
* 23: Maria Johnston: 'Other Modes of Being': Nuala Ní Dhomhnaill and
Translation
* 24: Alice Entwistle: Writing [w]here: Gender and Cultural Positioning
in Ireland and Wales
* 25: Rod Mengham: The Altered Sublime: Raworth, Crozier, Prynne
* IV. Border Crossings
* 26: David Herd: Dislocating Country: Post-War English Poetry and the
Politics of Movement
* 27: Omaar Hena: Multi-ethnic British Poetries
* 28: Stephen Romer: European Affinities
* 29: Iain Galbraith: Scottish Poetry in the Wider World
* 30: Romana Huk: The View from the U. S. A.
* 31: Anna Smaill: Audience and Awkwardness: Personal Poetry in Britain
and New Zealand
* V. Responsibilities and Values
* 32: Max de Gaynesforde: Speech Acts, Responsibility, and Commitment
in Poetry
* 33: Natalie Pollard: 'Is a chat with me your fancy?: Address in
Contemporary British Poetry
* 34: Peter Robinson: . 'There Again': Composition, Revision, and
Repair
* 35: Piers Pennington: Reparation, Atonement, and Redress
* 36: Michael Symmons Roberts: Contemporary Poetry and Belief
* 37: Andrea Brady: The Loneliness of the Long-Distance Poet
* 38: Peter Robinson: Contemporary Poetry and Value
* Introduction: The Limits and Openness of the Contemporary
* I. Movements over Time
* 1: Edward Larrissy: Modernist Survivors
* 2: Michael O'Neill: The Thirties Bequest
* 3: Leo Mellor: The Unburied Past: Walking with Ghosts of the 1940s
* 4: William May: 'Obscure and Doubtful': Stevie Smith, F. T. Prince,
and Legacy
* 5: Martin Dodsworth: The Movement: Never and Always
* 6: Jeremy Noel-Tod: 'In different voices': Modernism since the 1960s
* 7: Helen Bailey: Two Poetries?: A Re-examination of the 'Poetry
Divide' in 1970s Britain
* 8: Deryn Rees-Jones: A Dog's Own Chance: The Evolution of Women's
Poetry 1979-2010
* 9: Richard Price: CAT-scanning the Little Magazine
* 10: Matthew Sperling: Books and the Market: Trade Publishers, State
Subsidies, and Small Presses
* II. Senses of Form and Technique
* 11: Jeffrey Wainwright: 'Space available': A Poet's Decisions
* 12: Adam Piette: Contemporary Poetry and Close Reading
* 13: Simon Dentith: . 'All livin language is sacred': Poetry and
Varieties of English in these Islands
* 14: Zoë Skoulding: Misremembered Lyric and Orphaned Music
* 15: Conor Carville: 'The degree of power exercized': Recent Ekphrasis
* 16: Sophie Mayer: Cinema Mon Amour: How British Poetry Fell in Love
with Film
* 17: Peter Carpenter: Singing Schools and Beyond: The Roles of
Creative Writing
* III. Poetry in Places
* 18: Heather O'Donoghue: Historical and Archaeological: The Poetry of
Recovery and Memory
* 19: John Kerrigan: London, Albion
* 20: Peter Middleton: The 'London Cut': Science and Language
* 21: David Wheatley: 'Dafter than we care to own': Some Poets of the
North
* 22: John Redmond: Auden in Ireland
* 23: Maria Johnston: 'Other Modes of Being': Nuala Ní Dhomhnaill and
Translation
* 24: Alice Entwistle: Writing [w]here: Gender and Cultural Positioning
in Ireland and Wales
* 25: Rod Mengham: The Altered Sublime: Raworth, Crozier, Prynne
* IV. Border Crossings
* 26: David Herd: Dislocating Country: Post-War English Poetry and the
Politics of Movement
* 27: Omaar Hena: Multi-ethnic British Poetries
* 28: Stephen Romer: European Affinities
* 29: Iain Galbraith: Scottish Poetry in the Wider World
* 30: Romana Huk: The View from the U. S. A.
* 31: Anna Smaill: Audience and Awkwardness: Personal Poetry in Britain
and New Zealand
* V. Responsibilities and Values
* 32: Max de Gaynesforde: Speech Acts, Responsibility, and Commitment
in Poetry
* 33: Natalie Pollard: 'Is a chat with me your fancy?: Address in
Contemporary British Poetry
* 34: Peter Robinson: . 'There Again': Composition, Revision, and
Repair
* 35: Piers Pennington: Reparation, Atonement, and Redress
* 36: Michael Symmons Roberts: Contemporary Poetry and Belief
* 37: Andrea Brady: The Loneliness of the Long-Distance Poet
* 38: Peter Robinson: Contemporary Poetry and Value
* I. Movements over Time
* 1: Edward Larrissy: Modernist Survivors
* 2: Michael O'Neill: The Thirties Bequest
* 3: Leo Mellor: The Unburied Past: Walking with Ghosts of the 1940s
* 4: William May: 'Obscure and Doubtful': Stevie Smith, F. T. Prince,
and Legacy
* 5: Martin Dodsworth: The Movement: Never and Always
* 6: Jeremy Noel-Tod: 'In different voices': Modernism since the 1960s
* 7: Helen Bailey: Two Poetries?: A Re-examination of the 'Poetry
Divide' in 1970s Britain
* 8: Deryn Rees-Jones: A Dog's Own Chance: The Evolution of Women's
Poetry 1979-2010
* 9: Richard Price: CAT-scanning the Little Magazine
* 10: Matthew Sperling: Books and the Market: Trade Publishers, State
Subsidies, and Small Presses
* II. Senses of Form and Technique
* 11: Jeffrey Wainwright: 'Space available': A Poet's Decisions
* 12: Adam Piette: Contemporary Poetry and Close Reading
* 13: Simon Dentith: . 'All livin language is sacred': Poetry and
Varieties of English in these Islands
* 14: Zoë Skoulding: Misremembered Lyric and Orphaned Music
* 15: Conor Carville: 'The degree of power exercized': Recent Ekphrasis
* 16: Sophie Mayer: Cinema Mon Amour: How British Poetry Fell in Love
with Film
* 17: Peter Carpenter: Singing Schools and Beyond: The Roles of
Creative Writing
* III. Poetry in Places
* 18: Heather O'Donoghue: Historical and Archaeological: The Poetry of
Recovery and Memory
* 19: John Kerrigan: London, Albion
* 20: Peter Middleton: The 'London Cut': Science and Language
* 21: David Wheatley: 'Dafter than we care to own': Some Poets of the
North
* 22: John Redmond: Auden in Ireland
* 23: Maria Johnston: 'Other Modes of Being': Nuala Ní Dhomhnaill and
Translation
* 24: Alice Entwistle: Writing [w]here: Gender and Cultural Positioning
in Ireland and Wales
* 25: Rod Mengham: The Altered Sublime: Raworth, Crozier, Prynne
* IV. Border Crossings
* 26: David Herd: Dislocating Country: Post-War English Poetry and the
Politics of Movement
* 27: Omaar Hena: Multi-ethnic British Poetries
* 28: Stephen Romer: European Affinities
* 29: Iain Galbraith: Scottish Poetry in the Wider World
* 30: Romana Huk: The View from the U. S. A.
* 31: Anna Smaill: Audience and Awkwardness: Personal Poetry in Britain
and New Zealand
* V. Responsibilities and Values
* 32: Max de Gaynesforde: Speech Acts, Responsibility, and Commitment
in Poetry
* 33: Natalie Pollard: 'Is a chat with me your fancy?: Address in
Contemporary British Poetry
* 34: Peter Robinson: . 'There Again': Composition, Revision, and
Repair
* 35: Piers Pennington: Reparation, Atonement, and Redress
* 36: Michael Symmons Roberts: Contemporary Poetry and Belief
* 37: Andrea Brady: The Loneliness of the Long-Distance Poet
* 38: Peter Robinson: Contemporary Poetry and Value