This book presents a range of approaches to the study of Old Norse poetry in performance. This book will be of great interest to students and scholars in the fields of Old Norse studies, Performance and Theatre History.
This book presents a range of approaches to the study of Old Norse poetry in performance. This book will be of great interest to students and scholars in the fields of Old Norse studies, Performance and Theatre History.
Produktdetails
Produktdetails
Routledge Advances in Theatre & Performance Studies
Brian McMahon is an Associate Lecturer in English at Oxford Brookes University and Artistic Director at Reverend Productions. Annemari Ferreira is Assistant Professor of English as a Foreign Language and Writing Centre Coordinator at SolBridge International School of Business, Woosong University, South Korea. She holds a research fellowship at the Africa Open Institute for Music, Research and Innovation at Stellenbosch University, South Africa.
Inhaltsangabe
Acknowledgements List of Contributors Introduction by Terry Gunnell Part 1: The Social Dynamics of Performance Chapter 1: Framing Old Norse Performance Contexts: The Wedding at Reykjahólar (1119) Revisited by Stephen A. Mitchell Part 2: Voice and Performance Chapter 2: Revisiting Zumthorian Vocality in Old Norse Poetry Studies by Inés García López Chapter 3: ...með skarða skjöldu ok skotnar brynjur: The Distribution and Function of Aural Sense Impressions in Old Norse Poetry by Simon Nygaard Chapter 4: Dramatic Implications of Echoed Speech in Skírnismál by Harriet Soper Part 3: Collocation and Quotation Chapter 5: Eddic Poetry and the Uses of Anonymity by John McKinnell Chapter 6: Accretive Quotation and the Performance of Stanzas in Fagrskinna by Helen F. Leslie-Jacobsen Part 4: Material Culture Chapter 7: Old Norse Poetry in Visual Art: a Comparative Perspective with the Islamic World by Rebeca Franco Valle Chapter 8: How the Hell Do You Read This? - The Evolution of Eddic Orality through Manuscript Performance by Frog Part 5: Modern Approaches to Performing Old Norse Poetry Chapter 9: Old Norse Poetry in Performance: Perils, Pitfalls and Possibilities by Brian McMahon Chapter 10: Interview with Leif Stinnerbom Chapter 11: Interview with Einar Selvik Chapter 12: Beowulf, the Edda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed 'Singer of Tales' by Benjamin Bagby Chapter 13: ' ð be ta e quæðeð fm flutt': Kveðnar Drápur og Kveðnar Rímur by Pétur Húni Björnsson
Acknowledgements List of Contributors Introduction by Terry Gunnell Part 1: The Social Dynamics of Performance Chapter 1: Framing Old Norse Performance Contexts: The Wedding at Reykjahólar (1119) Revisited by Stephen A. Mitchell Part 2: Voice and Performance Chapter 2: Revisiting Zumthorian Vocality in Old Norse Poetry Studies by Inés García López Chapter 3: ...með skarða skjöldu ok skotnar brynjur: The Distribution and Function of Aural Sense Impressions in Old Norse Poetry by Simon Nygaard Chapter 4: Dramatic Implications of Echoed Speech in Skírnismál by Harriet Soper Part 3: Collocation and Quotation Chapter 5: Eddic Poetry and the Uses of Anonymity by John McKinnell Chapter 6: Accretive Quotation and the Performance of Stanzas in Fagrskinna by Helen F. Leslie-Jacobsen Part 4: Material Culture Chapter 7: Old Norse Poetry in Visual Art: a Comparative Perspective with the Islamic World by Rebeca Franco Valle Chapter 8: How the Hell Do You Read This? - The Evolution of Eddic Orality through Manuscript Performance by Frog Part 5: Modern Approaches to Performing Old Norse Poetry Chapter 9: Old Norse Poetry in Performance: Perils, Pitfalls and Possibilities by Brian McMahon Chapter 10: Interview with Leif Stinnerbom Chapter 11: Interview with Einar Selvik Chapter 12: Beowulf, the Edda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed 'Singer of Tales' by Benjamin Bagby Chapter 13: ' ð be ta e quæðeð fm flutt': Kveðnar Drápur og Kveðnar Rímur by Pétur Húni Björnsson
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