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On a Chinese Screen was first published in 1922 by Heinemann Publishers, London. Its 58 short vignettes are based on Maugham¿s travels along the Yangtze River from 1919 to 1920. Although later editions of the book added the subtitle ¿Sketches of Life in China,¿ there are actually only a few descriptions of the places he visited and the local Chinese people he met; rather, Maugham focuses on relaying his encounters with a range of Europeans living and working in the country. Maugham is quite critical of many of them and their lack of interest in, and sometimes disdain, for the country and its…mehr

Produktbeschreibung
On a Chinese Screen was first published in 1922 by Heinemann Publishers, London. Its 58 short vignettes are based on Maugham¿s travels along the Yangtze River from 1919 to 1920. Although later editions of the book added the subtitle ¿Sketches of Life in China,¿ there are actually only a few descriptions of the places he visited and the local Chinese people he met; rather, Maugham focuses on relaying his encounters with a range of Europeans living and working in the country. Maugham is quite critical of many of them and their lack of interest in, and sometimes disdain, for the country and its people, except for the extent to which their careers and pockets could benefit. His sketches highlight the difficulties that many expatriates encounter while living in a foreign culture.
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Autorenporträt
William Somerset Maugham CH ( MAWM; 25 January 1874 ¿ 16 December 1965) was an English writer, known for his plays, novels and short stories. Born in Paris, where he spent his first ten years, Maugham was schooled in England and went to a German university. He became a medical student in London and qualified as a physician in 1897. He never practised medicine, and became a full-time writer. His first novel, Liza of Lambeth (1897), a study of life in the slums, attracted attention, but it was as a playwright that he first achieved national celebrity. By 1908 he had four plays running at once in the West End of London. He wrote his 32nd and last play in 1933, after which he abandoned the theatre and concentrated on novels and short stories.