Eugenio Barba

On Directing and Dramaturgy

Burning the House

• Gebundenes Buch

Produktbeschreibung

"A theatre which is able to speak to each spectator in a different and penetrating language is not a fantastic idea, nor a utopia. This is the theatre for which many of us, directors and leaders of groups, trained for a long time..." - from the Introduction On Directing is Eugenio Barba's unprecedented account of his own life and work. This is a major retrospective of Barba's working methods, his practical techniques, and the life experiences which fed directly into his theatre-making. On Directing is an inspirational resource. It is a dramaturgy of dramaturgies, and a professional autobiography, from one of the most significant and influential directors and theorists working today. It provides unique insights into a philosophy and practice of directing for the beginning student, the experienced practitioner, and everyone in between.

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First Published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.

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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 238
• Erscheinungstermin: 1. November 2009
• Englisch
• Abmessung: 234mm x 156mm x 14mm
• Gewicht: 513g
• ISBN-13: 9780415549202
• ISBN-10: 0415549205
• Artikelnr.: 28175220

Autorenporträt

Eugenio Barba

Inhaltsangabe

PROLOGUE INTRODUCTION The field of poppies THE EMPTY RITUAL Word-bridges
Where do I come from? A plurality of dramaturgies FIRST INTERMEZZO The
children of silence ORGANIC DRAMATURGY AS A LEVEL OF ORGANISATION The
actor's dramaturgy The ritual of Disorder Sonorous dramaturgy Dramaturgy of
the space Prepare for life and arms The moment of truth SECOND INTERMEZZO
What the actors say and the director's reflections NARRATIVE DRAMATURGY AS
A LEVEL OF ORGANISATION Creative thought From glance to vision Who made me
what I am? Knots Simultaneity: narrating according to the laws of space
Exú: swimming in a lasting presence The origin f the Odin road No text, but
narrative context Centre of the book Working for the text - working with
the text Kaosmos Chained to an oar THIRD INTERMEZZO Twenty years later
EVOCATIVE DRAMATURGY AS A LEVEL OF ORGANISATION The Trans-Siberian The
torrid zone of memory Winds that burn The spectator's dramaturgy The
elusive order Shadows like roots FOUTH INTERMEZZO What a notebook says
THEATRE-IN-LIBERTY Burning the house A dramaturgy of dramaturgies Letter
from the director to his friend and adviser Nando Taviani Incursions and
irruptions EPILOGUE ENVOY