On Flinching explores the cultural history of flinches, winces, cringes and starts in the late nineteenth and early twentieth centuries. Taking the flinches of scientific observers as its starting point, it likens scientific experiments to the emotional interactions between audiences and actors in the theatre of this period.
On Flinching explores the cultural history of flinches, winces, cringes and starts in the late nineteenth and early twentieth centuries. Taking the flinches of scientific observers as its starting point, it likens scientific experiments to the emotional interactions between audiences and actors in the theatre of this period.
Tiffany Watt-Smith is a cultural historian and a British Academy Postdoctoral Fellow at the Centre for the History of the Emotions at Queen Mary, University of London. She is currently working on a book about the cultural history of involuntary mimicry from 1850 to the present day. She is also working on a book for wider audiences, The Book of Human Emotions to be published by Profile Books. Before returning to her academic studies, Tiffany worked for ten years a professional theatre director, holding full-time posts as associate director at the Arcola Theatre and International Associate at the Royal Court. In 2004 she was a recipient of the Jerwood Award for Directors at the Young Vic.
Inhaltsangabe
Introduction: Playing at Looking, Playing at Being Seen 1: Darwin's Flinch 2: Monkey F Startled 3: Henry Head's Wince 4: A Convalescent Recoils Afterword: A Report to the Academy Appendix (Ferrier's Notebook F) Bibliography
Introduction: Playing at Looking, Playing at Being Seen 1: Darwin's Flinch 2: Monkey F Startled 3: Henry Head's Wince 4: A Convalescent Recoils Afterword: A Report to the Academy Appendix (Ferrier's Notebook F) Bibliography
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