"On Listening" is a collection of essays covering many of the key areas of contemporary debate in creative writing. From translation as the art of the impossible to the significance of community writing projects, by way of teaching debate and personal enthusiasms, it affords a portrait of the field as a whole.
"On Listening" is a collection of essays covering many of the key areas of contemporary debate in creative writing. From translation as the art of the impossible to the significance of community writing projects, by way of teaching debate and personal enthusiasms, it affords a portrait of the field as a whole.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Fiona Sampson has published fourteen books - poetry, philosophy of language and books on writing process - of which the most recent are Common Prayer (Carcanet, 2007) and Writing: Self and Reflexivity (Macmillan, 2005). Her awards include the Newdigate Prize; 'Trumpeldor Beach' was short-listed for the 2006 Forward Prize; and she has been widely translated, with eight books in translation, including Travel Diary, awarded the Zlaten Prsten (Macedonia). She contributes regularly to The Guardian, The Irish Times and other publications; and is the editor of Poetry Review.
Inhaltsangabe
Acknowledgements Introduction Between the lines: some notes on contemporary British poet-critics TRANSLATING Mind the gap: translation as a form of listening On fidelity Jaan Kaplinski: "Bringing everything back" Aboard the Orient Express: publishing literature in translation Mila Haugova: "The naked body of the word" Mouth to mouth: some translations 1. Inna Lisnianskaya 2. Radmila Lazic 3. Agnes Nemes Nagy and Miklos Radnoti 4. Tom Paulin's The Road to Inver 5. Don Paterson's Orpheus TRAVELLING "What country, friends, is this?": the Mediterranean and the British unconscious An English reader in the Balkans "Home is where one starts from" TEACHING The poetics of context Poetry and discursive weakness Writing as 'therapy'? Into the academy Private experience or public practice? READING Selected and Collected: Jo Shapcott, Eavan Boland & U.A.Fanthorpe Favourite things: 1. Mebdh McGuckian's The Book of the Angel 2. Jorie Graham's Overlord 3. Glyn Maxwell's The Sugar Mile 4. Anne Carson's Decreation 5. Greg Delanty's Collected Poems 1986-2006 6. John Fuller's The Space of Joy 7. Les Murray's The Biplane Houses Afterword The ephemeral References
Acknowledgements Introduction Between the lines: some notes on contemporary British poet-critics TRANSLATING Mind the gap: translation as a form of listening On fidelity Jaan Kaplinski: "Bringing everything back" Aboard the Orient Express: publishing literature in translation Mila Haugova: "The naked body of the word" Mouth to mouth: some translations 1. Inna Lisnianskaya 2. Radmila Lazic 3. Agnes Nemes Nagy and Miklos Radnoti 4. Tom Paulin's The Road to Inver 5. Don Paterson's Orpheus TRAVELLING "What country, friends, is this?": the Mediterranean and the British unconscious An English reader in the Balkans "Home is where one starts from" TEACHING The poetics of context Poetry and discursive weakness Writing as 'therapy'? Into the academy Private experience or public practice? READING Selected and Collected: Jo Shapcott, Eavan Boland & U.A.Fanthorpe Favourite things: 1. Mebdh McGuckian's The Book of the Angel 2. Jorie Graham's Overlord 3. Glyn Maxwell's The Sugar Mile 4. Anne Carson's Decreation 5. Greg Delanty's Collected Poems 1986-2006 6. John Fuller's The Space of Joy 7. Les Murray's The Biplane Houses Afterword The ephemeral References
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