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Sidney's Defence of Poesy is generally taken to present a model of poetry as ideal: the poet depicts ideals of human conduct which readers are inspired to imitate. Catherine Bates challenges this view, and shows how idealist poetics is complicit with the money form and its related ills: commodification, fetishism, and the abuse of power.

Produktbeschreibung
Sidney's Defence of Poesy is generally taken to present a model of poetry as ideal: the poet depicts ideals of human conduct which readers are inspired to imitate. Catherine Bates challenges this view, and shows how idealist poetics is complicit with the money form and its related ills: commodification, fetishism, and the abuse of power.
Autorenporträt
Catherine Bates is Research Professor at the University of Warwick. She served as Head of Department from 2009 to 2014. She has been awarded a number of fellowships and prizes, including a Solmsen Fellowship at the University of Wisconsin-Madison, and the British Academy Rose Mary Crawshay Prize for Masculinity and the Hunt: Wyatt to Spenser (OUP, 2013).