Sidney's Defence of Poesy is generally taken to present a model of poetry as ideal: the poet depicts ideals of human conduct which readers are inspired to imitate. Catherine Bates challenges this view, and shows how idealist poetics is complicit with the money form and its related ills: commodification, fetishism, and the abuse of power.
Sidney's Defence of Poesy is generally taken to present a model of poetry as ideal: the poet depicts ideals of human conduct which readers are inspired to imitate. Catherine Bates challenges this view, and shows how idealist poetics is complicit with the money form and its related ills: commodification, fetishism, and the abuse of power.
Catherine Bates is Research Professor at the University of Warwick. She served as Head of Department from 2009 to 2014. She has been awarded a number of fellowships and prizes, including a Solmsen Fellowship at the University of Wisconsin-Madison, and the British Academy Rose Mary Crawshay Prize for Masculinity and the Hunt: Wyatt to Spenser (OUP, 2013).
Inhaltsangabe
Part One: The Poet's Golden World I: Poetry is Profitless II: Poetry is Profitable III: Poetry is Profitless Part Two: The Counterfeiter I: Poetry Lies II: Lies are Profitable III: Lies are Profitless IV: Poetry is Profitless V: Poetry is Free The Empty Chest I: Poetry Abuses II: Poetry is Useful III: Poetry is Abused Bibliography Index
Part One: The Poet's Golden World I: Poetry is Profitless II: Poetry is Profitable III: Poetry is Profitless Part Two: The Counterfeiter I: Poetry Lies II: Lies are Profitable III: Lies are Profitless IV: Poetry is Profitless V: Poetry is Free The Empty Chest I: Poetry Abuses II: Poetry is Useful III: Poetry is Abused Bibliography Index
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