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The first comprehensive survey of critical approaches to pop music. The diversity of the essays covers sociological, feminist, semiotic and musicological points of view.
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The first comprehensive survey of critical approaches to pop music. The diversity of the essays covers sociological, feminist, semiotic and musicological points of view.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- UK edition
- Seitenzahl: 508
- Erscheinungstermin: 12. Juli 1990
- Englisch
- Abmessung: 234mm x 157mm x 25mm
- Gewicht: 762g
- ISBN-13: 9780415053068
- ISBN-10: 0415053064
- Artikelnr.: 21300855
- Verlag: Taylor & Francis Ltd
- UK edition
- Seitenzahl: 508
- Erscheinungstermin: 12. Juli 1990
- Englisch
- Abmessung: 234mm x 157mm x 25mm
- Gewicht: 762g
- ISBN-13: 9780415053068
- ISBN-10: 0415053064
- Artikelnr.: 21300855
Simon Frith, Andrew Goodwin
Preface PART ONE
GROUNDWORKS Listening to Popular Music ; The Dialogue of Courtship in Popular Song; The Young Audience; PART TWO
FROM SUBCULTURAL TO CULTURAL STUDIES The Golden Age; Style as Homology and Signifying Practice ; Settling Accounts with Subcultures: A Feminist Critique ; Defending Ski-Jumpers: A Critique of Theories of Youth Subcultures ; Characterizing Rock Music Culture: The Case of Heavy Metal; Is There Rock After Punk? PART THREE
THE ORGANIZATION OF THE MUSIC BUSINESS Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems; Cycles in Symbol Production: The Case of Popular Music; Patterns of Change PART FOUR
THE CREATIVE PROCESS The Production of Success: An Antimusicology of the Pop Song; From Craft to Art: The Case of Sound Mixers and Popular Music; The Realities of Practice ; How Women Become Musicians; Sample and Hold: Pop Music in the Digital Age of Reproduction PART FIVE
MUSICOLOGY AND SEMIOTICS Start Making Sense! Musicology Wrestles with Rock; The Grain of the Voice; On Popular Music; Second Thoughts on a Rock Aesthetic: The Band; Jingle: Pepsi-Cola Hits the Spot; Listen to Me; Do-Talk and Don't-Talk: The Division of the Subject in Girl-Group Music PART SIX
MUSIC AND SEXUALITY Rock and Sexuality; Sexing Elvis; Teenage Dreams; In Defense of Disco ; Afterthoughts PART SEVEN
READING THE STARS Rock Music, the Star System, and the Rise of Consumerism; Rocket to Russia; In Praise of Kate Bush ; New Pop and Its Aftermath; Corrupting the Absolute PART EIGHT
LAST WORDS: THE FANS SPEAK Starlust
GROUNDWORKS Listening to Popular Music ; The Dialogue of Courtship in Popular Song; The Young Audience; PART TWO
FROM SUBCULTURAL TO CULTURAL STUDIES The Golden Age; Style as Homology and Signifying Practice ; Settling Accounts with Subcultures: A Feminist Critique ; Defending Ski-Jumpers: A Critique of Theories of Youth Subcultures ; Characterizing Rock Music Culture: The Case of Heavy Metal; Is There Rock After Punk? PART THREE
THE ORGANIZATION OF THE MUSIC BUSINESS Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems; Cycles in Symbol Production: The Case of Popular Music; Patterns of Change PART FOUR
THE CREATIVE PROCESS The Production of Success: An Antimusicology of the Pop Song; From Craft to Art: The Case of Sound Mixers and Popular Music; The Realities of Practice ; How Women Become Musicians; Sample and Hold: Pop Music in the Digital Age of Reproduction PART FIVE
MUSICOLOGY AND SEMIOTICS Start Making Sense! Musicology Wrestles with Rock; The Grain of the Voice; On Popular Music; Second Thoughts on a Rock Aesthetic: The Band; Jingle: Pepsi-Cola Hits the Spot; Listen to Me; Do-Talk and Don't-Talk: The Division of the Subject in Girl-Group Music PART SIX
MUSIC AND SEXUALITY Rock and Sexuality; Sexing Elvis; Teenage Dreams; In Defense of Disco ; Afterthoughts PART SEVEN
READING THE STARS Rock Music, the Star System, and the Rise of Consumerism; Rocket to Russia; In Praise of Kate Bush ; New Pop and Its Aftermath; Corrupting the Absolute PART EIGHT
LAST WORDS: THE FANS SPEAK Starlust
Preface PART ONE
GROUNDWORKS Listening to Popular Music ; The Dialogue of Courtship in Popular Song; The Young Audience; PART TWO
FROM SUBCULTURAL TO CULTURAL STUDIES The Golden Age; Style as Homology and Signifying Practice ; Settling Accounts with Subcultures: A Feminist Critique ; Defending Ski-Jumpers: A Critique of Theories of Youth Subcultures ; Characterizing Rock Music Culture: The Case of Heavy Metal; Is There Rock After Punk? PART THREE
THE ORGANIZATION OF THE MUSIC BUSINESS Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems; Cycles in Symbol Production: The Case of Popular Music; Patterns of Change PART FOUR
THE CREATIVE PROCESS The Production of Success: An Antimusicology of the Pop Song; From Craft to Art: The Case of Sound Mixers and Popular Music; The Realities of Practice ; How Women Become Musicians; Sample and Hold: Pop Music in the Digital Age of Reproduction PART FIVE
MUSICOLOGY AND SEMIOTICS Start Making Sense! Musicology Wrestles with Rock; The Grain of the Voice; On Popular Music; Second Thoughts on a Rock Aesthetic: The Band; Jingle: Pepsi-Cola Hits the Spot; Listen to Me; Do-Talk and Don't-Talk: The Division of the Subject in Girl-Group Music PART SIX
MUSIC AND SEXUALITY Rock and Sexuality; Sexing Elvis; Teenage Dreams; In Defense of Disco ; Afterthoughts PART SEVEN
READING THE STARS Rock Music, the Star System, and the Rise of Consumerism; Rocket to Russia; In Praise of Kate Bush ; New Pop and Its Aftermath; Corrupting the Absolute PART EIGHT
LAST WORDS: THE FANS SPEAK Starlust
GROUNDWORKS Listening to Popular Music ; The Dialogue of Courtship in Popular Song; The Young Audience; PART TWO
FROM SUBCULTURAL TO CULTURAL STUDIES The Golden Age; Style as Homology and Signifying Practice ; Settling Accounts with Subcultures: A Feminist Critique ; Defending Ski-Jumpers: A Critique of Theories of Youth Subcultures ; Characterizing Rock Music Culture: The Case of Heavy Metal; Is There Rock After Punk? PART THREE
THE ORGANIZATION OF THE MUSIC BUSINESS Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems; Cycles in Symbol Production: The Case of Popular Music; Patterns of Change PART FOUR
THE CREATIVE PROCESS The Production of Success: An Antimusicology of the Pop Song; From Craft to Art: The Case of Sound Mixers and Popular Music; The Realities of Practice ; How Women Become Musicians; Sample and Hold: Pop Music in the Digital Age of Reproduction PART FIVE
MUSICOLOGY AND SEMIOTICS Start Making Sense! Musicology Wrestles with Rock; The Grain of the Voice; On Popular Music; Second Thoughts on a Rock Aesthetic: The Band; Jingle: Pepsi-Cola Hits the Spot; Listen to Me; Do-Talk and Don't-Talk: The Division of the Subject in Girl-Group Music PART SIX
MUSIC AND SEXUALITY Rock and Sexuality; Sexing Elvis; Teenage Dreams; In Defense of Disco ; Afterthoughts PART SEVEN
READING THE STARS Rock Music, the Star System, and the Rise of Consumerism; Rocket to Russia; In Praise of Kate Bush ; New Pop and Its Aftermath; Corrupting the Absolute PART EIGHT
LAST WORDS: THE FANS SPEAK Starlust