On Repeat offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and considers related implications for repetition in language, learning, and communication.
On Repeat offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and considers related implications for repetition in language, learning, and communication.
Elizabeth Hellmuth Margulis directs the Music Cognition Lab at the University of Arkansas. Her research uses theoretical, behavioral, and neuroimaging methodologies to investigate the dynamic, moment-to-moment experience of listeners without special musical training. She was also trained as a concert pianist.
Inhaltsangabe
Table of Contents 1. The Puzzle of Musical Repetition 2. From Acoustic to Perceived Repetition 3. Attention, Temporality, and Music that Repeats Itself 4. Earworms, Technology, and the Verbatim 5. Relistenings 6. In Performance 7. Overt Participation, Implied Participation 8. Repetition, Music, and Mind
Table of Contents 1. The Puzzle of Musical Repetition 2. From Acoustic to Perceived Repetition 3. Attention, Temporality, and Music that Repeats Itself 4. Earworms, Technology, and the Verbatim 5. Relistenings 6. In Performance 7. Overt Participation, Implied Participation 8. Repetition, Music, and Mind
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