On Site is a practical guide to creating site-specific dance performance work. Written by experienced artist Stephan Koplowitz, the book guides everyone from beginners to experienced creators through the work of performing on site.
On Site is a practical guide to creating site-specific dance performance work. Written by experienced artist Stephan Koplowitz, the book guides everyone from beginners to experienced creators through the work of performing on site.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Stephan Koplowitz is an award-winning director/ choreographer/media artist working on stage, film, and site. He has created 92 works produced in the US, Europe, and Asia. Awards include the Herb Alpert Award in the Arts, Guggenheim Fellowship, New York "Bessie" Award, six NEA Fellowships, and a Rockefeller Bellagio Fellowship. After 23 years in NYC working as an educator and artist, Koplowitz was appointed dean/faculty of dance at the California Institute of the Arts (2006- 2016). Koplowitz has a degree in music from Wesleyan University and an MFA in choreography from the University of Utah. He currently resides in NYC.
Inhaltsangabe
Preface Introduction: Motivations and Definitions 1. How Do We Start? Chapter 1 What Motivates Site Selection Chapter 2 Permissions, Permits and Insurance Chapter 3 Designing the Event, Staging the Audience Chapter 4 The Site as Inspiration for Your Work 3. Fueling Your Vision Chapter 5 Staffing Key Production Roles Chapter 6 Negotiating Fee and Contract Chapter 7 Planning Your Planning Budget Chapter 8 Fundraising for Your Artistic Plan: A Short Primer 4. Creating/Generating Content Chapter 9 Staging, Placing Your Work in a Site (one method) Chapter 10 Site Content and Process Chapter 11 Collaboration and Collaborative Elements 5. Creative and Production Challenges Chapter 12 Rehearsal Process Chapter 13 Rehearsal Safety Chapter 14 Creating for Physically Integrated Casts and Accessibility 6. More Challenges from the Real World Chapter 15 Working with a Set Budget after Fundraising Chapter 16 Promoting and Marketing the Work Chapter 17 Documentation Chapter 18 Assessment 7. Epilogue Chapter 19 Last, Last Thoughts Appendix Acknowledgements Index About the Author
Preface Introduction: Motivations and Definitions 1. How Do We Start? Chapter 1 What Motivates Site Selection Chapter 2 Permissions, Permits and Insurance Chapter 3 Designing the Event, Staging the Audience Chapter 4 The Site as Inspiration for Your Work 3. Fueling Your Vision Chapter 5 Staffing Key Production Roles Chapter 6 Negotiating Fee and Contract Chapter 7 Planning Your Planning Budget Chapter 8 Fundraising for Your Artistic Plan: A Short Primer 4. Creating/Generating Content Chapter 9 Staging, Placing Your Work in a Site (one method) Chapter 10 Site Content and Process Chapter 11 Collaboration and Collaborative Elements 5. Creative and Production Challenges Chapter 12 Rehearsal Process Chapter 13 Rehearsal Safety Chapter 14 Creating for Physically Integrated Casts and Accessibility 6. More Challenges from the Real World Chapter 15 Working with a Set Budget after Fundraising Chapter 16 Promoting and Marketing the Work Chapter 17 Documentation Chapter 18 Assessment 7. Epilogue Chapter 19 Last, Last Thoughts Appendix Acknowledgements Index About the Author
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